Caniffites may recall the tail-end of my introductory essay for Steve Canyon Volume 4, in which I discussed and excerpted a chain of 1953 letters between Milton Caniff and Hugh M. Hefner that I unearthed during one of our research trips to The Billy Ireland Cartoon Library and Museum at The Ohio State University. The letters revolved around Hefner’s desire to produce a “Miss Lace” featurette in an early issue of (as Hefner put it) “a new men’s magazine beginning publication this fall.” That magazine was to be called — Stag Party.
There’s many a slip ‘twixt the initial plans for a magazine and its eventual launch, and in Hefner’s case Stag Party was renamed Playboy before it hit the stands. The nudes of the already-iconic Marilyn Monroe contained in that historic first issue helped make “Hef’s” venture a rousing success from the outset — but featuring a high-profile talent like Milton Caniff and a nostalgic — and buxom! — character like Miss Lace in the second issue didn’t exactly hurt the circulation numbers.
My friend and cultural scholar/historian Doug Thornsjo recently acquired a batch of very early Playboys and — *toinnn-n-n-ng!* — the discovery that his new arrivals included the second (January, 1954) issue meant we’d be able to share a sizable portion of the “Miss Lace” feature with you in this space. (We’ll block what the Monty Python crew once called “the naughty bits” in a couple places, just to keep things all-ages-appropriate.)
Here’s the first page of the three-page article:
Page two features four “Lace” strips that appeared in camp newspapers worldwide during the War years. Here are two of my favorites:
The last page contains four special “Lace”s — Hefner’s lead-in text will explain what made them special:
And here’s one more of the rejected “Male Call”s that seems especially appropriate for Playboy:
As a little bonus — again, with just a bit of blockage used — here’s an image from later in the second issue of the magazine, featuring the always-exemplary penwork of James Montgomery Flagg:
Hugh Hefner was something of an artist himself; he was also a great admirer of cartoonists and illustrators, as his use of Caniff and Flagg attests. One of Playboy‘s legitimate contributions to the 20th Century arts scene was its liberal use of cartoons and the generous pay scale it offered to those artists who appeared in its pages during its heyday (fiction writers also benefited from the greater-than-market-average rates Playboy paid). Whatever one may think about Hefner and the culture that grew up around his magazine and him, The Digital Age has yet to generate (to the best of my knowledge) a financial angel for artists and writers who is the equal of “Hef.” (I’d be glad to hear from anyone who can prove me wrong, though!)
And of course, one of the fun things about my job is the ability to revisit past topics when opportunities arise to amplify and expand upon them with new knowledge or imagery. Thanks Doug (as if I didn’t owe you enough already!) for making that possible in this case. Those interested will find Doug and his sharply insightful film reviews, sociopolitical commentary, and line of unique Tarot-based products on the Web at The Duck Soup Homepage.
09/11/16 UPDATE: From the letters pager in Playboy‘s fourth issue, here is the published reader reaction to the “Miss Lace” featurette, including kind words from Pappy himself!