The first volume of our multi-volume series reprising Al Williamson and Archie Goodwin’s X-9: Secret Agent Corrigan has officially hit the bookstores. The strips are reproduced from Al Williamson’s personal proofs. To provide context, Mark Schultz wrote a touching tribute to Al, and Bruce Canwell offers up a detailed look at the history of X-9, going back to its creation in 1934 by Dashiell Hammett and Alex Raymond.
Author Archive | Dean Mullaney
Beau Smith, self-styled raconteur and manly man about town, has joined the Library of American Comics as our new Director of Marketing.
We’re thrilled to have Beau onboard. He and I go way back to the 1980s and Eclipse Comics, where I was the publisher and Beau the Marketing Director.
A graduate of Marshall University in his native West Virginia, Beau’s done it all in comics. In addition to Eclipse, where he got his start, Beau was the VP of Marketing and Publishing for Image Comics, Todd McFarlane Productions and McFarlane Toys, was with IDW Publishing for many years, and is the former Director of Product Information for toy maker JUN Planning USA.
As a comics writer, Beau’s written Batman, Superman, and Wolverine, and his stories have appeared at DC, Image, IDW, Eclipse, Dreamwave, Moonstone, Dark Horse, and many other publishers. He created several well-received series, including Wynonna Earp, Parts Unknown,Maximum Jack, Courting Fate, and Cobb.
If that wasn’t enough, he offers his pearls of wisdom in regular columns: “Busted Knuckles” at Comics Bulletin, and “From the Ranch” for Sketch Magazine.
Beau’s going to be focussing on retailers, libraries, and universities, so all retailers, librarians, professors, and teachers are encouraged to give him a shout: email@example.com.
Bill Griffith always keep us laughing, and this “Zippy” daily from Friday, September 10th, is no exception. What makes this daily different from all others? Check out his hilarious reference to Jack Kent’s King Aroo in the first panel. “Big words” is another reason for you to give theMyopian King a try, if you haven’t already.
Thanks to Bill for letting us post the daily (©2010 Bill Griffith). His — and Zippy’s — own siteshould be on your list of regularly-viewed sites.
Today is Blondie‘s 80th Anniversary! Here’s the very first daily. Chic Young’s classic creation premiered on September 8, 1930 in only two newspapers, and grew to become to world’s most popular strip. Congrats to the entire Young family, as well as King Features! And don’t miss our first volume of Blondie dailies — from the beginning — which will be on sale soon!
We were mighty pleased to discover that King Aroo Volume 1 got a positive review from noted fantasist and critic Charles de Lint. Mr. de Lint writes a regular review column in the mightyMagazine of Fantasy & Science Fiction, and he closes the May/June 2010 installment of his “Books to Look For” by telling his readers that Jack Kent’s King Aroo is “just so darn good.” And who are we to disagree?
You can read the review at: http://www.sfsite.com/fsf/2010/cdl1005.htm. If you’re looking for some prose reading, the full column contains looks at recent releases by Stephen King, Nina Kiriki Hoffman, Cory Doctorow, and Peter Straub. Or if you’re the impatient type, scroll to the bottom of the page to read Mr. de Lint’s delightful words about Aroo.
In Sergio Aragones’s introduction to the first Aroo book, he wrote about his love for the strip. Here’s Sergio and me catching up for a chat at the San Diego Comicon this year. (He’s the handsome one on the right)
We’re currently putting together the finishing touches on King Aroo volume 2, which collects November 1952 through November 1954. Jack Kent Jr. has again provided all the original art in his family’s collection, and Bubbly Bruce Canwell has written another incredible biographical essay. Here’s one of my all-time favorite Aroo dailies (from December 25, 1952) that fully captures Kent’s amazing talent for wordplay.
It’s not often that we get to see previously unknown art from seventy-five years ago by one of the greatest cartoonists of all time. The above specialty drawing by Noel Sickles came to us from Everett Slaughter, via our pal Leif Peng. It is only the second color Scorchy Smith piece by Sickles that I’ve ever seen (the other we reproduced in Scorchy Smith and The Art of Noel Sickles). Everett writes, “My late wife, Virginia, was a neighbor to Noel Sickles in Chillicothe, Ohio. Attached is a cartoon Noel did for her in July, 1935 when she was 10 years of age.”
Sickles had an obvious fondness for his young neighbor. The cartoonist was living in New York in 1935, sharing studio space with Milton Caniff, but made regular trips back to Chillicothe to visit with his family. The watercolor is of Scorchy and his pal, the German pilot Himmelstoss, and references a Western storyline from the strip.
Thanks so much to Everett for sharing this treasure with us.
The Eisner and Harvey Award-nominated Scorchy Smith and the Art of Noel Sickles is available at your favorite comics shop, online bookseller, or IDW’s webstore.
And in case you aren’t familiar with Leif Peng’s fantastic blog about 20th Century illustrators, take a look. It’s on my “must-read” list every week.
The Library of American Comics again won the Eisner Award for Best Archival Project—Newspaper Strips given at the San Diego Comicon, as Bloom County took home the honors. LOAC’s Bringing Up Father was also nominated.
Above are (left to right) Creative Director Dean Mullaney, Associate Art Director (and Sunday colorist) Lorraine Turner, Berkeley Breathed himself, and series editor Scott Dunbier (proudly holding the award).
It was the first Comicon appearance for Berkeley, who also received the Inkpot Award. He was a real trooper, signing books and talking with fans for three straight days. He also created a Comicon-exclusive t-shirt. Needless to say, a fun time was had by all.
In a sign of changing times and technologies, it was announced today that Little Orphan Annie will end it run in newspapers next month. We all know that newspapers are going through tough times and are losing print readership; and that daily and Sunday comics have long since been reduced and shrunken and diminished so that they are but shells of their former glorious selves. So, this announcement is not unexpected, and I’m sure we’ll see similar ones about other long-running strips in the future. But the fact remains that it’s always sad to witness the end of an era.
We raise our glasses with a toast to the current creative team of Jay Maeder and Ted Slampyak, and to Leonard Starr and the other writers and artists who contributed to the strip’s history in the past forty years.
And in salute to Harold Gray—who created and directed Annie’s adventures for forty-four years—there’s no better way for us to celebrate his achievement than by bringing his work back into print for all to read…on paper.
In case anyone out there thought the 1930s and 1940s had exclusive domain over the best adventure strips of all time, we offer for your consideration one of the greatest of them all…from the 1960s to 1980s!
In 1967, famed EC artist Al Williamson teamed with Archie Goodwin, the greatly admired writer and Editor-in-Chief at Warren magazines, to take over the long-running and somewhat tired X-9 series. It was a team that was made in sequential art heaven: Archie and Al had a magnificent 13-year run on the strip, and they teamed again later for wonderful work on Star Wars.
In July, we’ll begin reprinting their entire X-9 run in five volumes under the title X9: Secret Agent Corrigan. It’s the first comprehensive collection of the strip and will be printed from Al Williamson’s personal proofs in an oversized format that matches our Rip Kirby series by Alex Raymond.
“Al Williamson’s delicate line-work, coupled with a style that’s both realistic and atmospheric, enhances the no-nonsense story of Phil Corrigan,” says IDW’s Scott Dunbier, who’s editing the series. And I would add that Archie Goodwin’s unerring sense of pacing, which he developed in comic books, is even more noticeable in the daily strip format. Man, the guy could write!
Secret Agent Corrigan updates the character created in 1934 by Dashiell Hammett and Alex Raymond. X-9 was originally an agent known only by his code name, who worked for an unknown government agency. Over the years, the series benefited from the individual styles of many writers and artists—including Leslie Charteris (author of The Saint novels), Charles Flanders, Mel Graff, Bob Lubbers, and George Evans—but it is the Goodwin/Williamson tenure that is best-loved by today’s comics fans. It was during their run that X-9 received the name of Phil Corrigan.
The first volume also features an introduction by Mark Schultz, and a essay on X-9’s long history by Bruce Canwell.