Al Williamson, Master Artist

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Alex Deuben has written a loving tribute to Al Williamson at Comic Book Resources. Definitely worth checking out. Our first volume of Al’s amazing collaboration with Archie Goodwin on X-9: Secret Agent Corrigan is now on sale. This not-be-be-missed collection is the first comprehensive edition of the series, reproduced from Al’s personal syndicate proofs. Above is the cover for the second volume, which will be published next February.

Dean Mullaney Interviewed

Chris Marshall at the Collected Comics Library is one of the most articulate and well-read interviewers around. On his latest podcast, he turns his attention to The Library of American Comics. Check it out, as we discuss the whys and wherefores of our books, our general philosophy about archival work, and what new projects are on the horizon!

New York or Bust!

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The Library of American Comics is leavin’ Dogpatch and headin’ for Noo Yawk Comic Con, October 8-10 at the Javits Center. Come to IDW’s Booth 2115 and meet Creative Director Dean Mullaney, Associate Editor (and author of the forthcoming Alex Toth biography!) Bruce Canwell, plus assorted friends and sundry acquaintances. We look forward to talking to you about our favorite classic comic strips, and to show off our new releases. Get the exclusive first looks at Li’l Abner 2, Blondie, and the amazing Polly and Her Pals.

See you there!

Podcasts R Us

Chris Marshall at the Collected Comics Library is one of the most articulate and well-read interviewers around. This week on his podcast, he turns his attention to The Library of American Comics. Check it out, as we discuss the whys and wherefores of our books, our general philosophy about archival work, and what new projects are on the horizon!

It’s a LOAC Invasion!

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The Library of American Comics is headin’ for New York Comic Con, October 8-10 at the Javits Center. Come to IDW’s Booth 2115 and meet Creative Director Dean Mullaney, Associate Editor (and author of the forthcoming Alex Toth biography!) Bruce Canwell, plus assorted friends and sundry acquaintances. We look forward to talking to you about our favorite classic comic strips, and to show off our new releases. Get the exclusive first looks at Blondie and Polly and Her Pals.

See you there!

 

Eat more strawberries

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Once upon a time, about twenty-six years ago, I had a little girl who was fascinated with Annie. She saw the movie with Carol Burnett and, at the age of three, memorized every dang song from it. We still refer to this as her “Annie Phase.” My father bought every scruffy stuffed Sandy and Annie doll he could get his hands on at local flea markets and yard sales. He even told her if she ate enough strawberries, her hair would turn red.

And so it is with great joy and fondness that I now find myself restoring this fantastic work of Harold Gray. This spunky little girl reminds me of my own tough scrappy kid, the one who is now all grown up, the one who has organized and composed all of the music for her own band named after her childhood hero…”Orphan.” Perhaps destiny led me to this remastering work, perhaps fate…or perhaps a calling to be near someone I love and admire.

Comics reflecting moments captured in time…a kid teaching an adult. The story continues 🙂

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Check…and re-check

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Although all restoration and design for our books are done digitally using Macs and Cintiq interactive pen displays, we still receive hard-copy proofs for every book from the printer. Mornings seem to be when the ol’ eyeballs work best, so with coffee and pen in hand, we check the proofs and make corrections the old-fashioned way. There’s nothing like seeing the pages on paper in order to make those final corrections. Here are the proofs for Li’l Abner volume 2, which is being approved for print today. It will be on sale in stores in November.

On My Walls

I never set out to collect original art, but over the years I’ve amassed a couple dozen pieces, all of which I’ve had matted and framed for display. I have my share of other, mass-produced items hanging, as well. The Graffiti Designs poster of James Bama’s cover for the Doc Savage supersaga The Monsters was a must-have, as was the Mike Kaluta poster, “The Shadow Ablaze.” And how could I pass up this classic shot of The Kid, smacking a home run in his first at-bat of the 1947 season:

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(Sorry, all you fans of Barry Bonds, Josh Hamilton, Alex Rodriguez, Albert Pujols, or any other masher you can list – four decades after he hung up his cleats, the incomparable Ted Williams remains the greatest hitter who ever lived.)

First-time visitors to my humble abode acknowledge the posters and photos, yet they linger over the originals. Some sketches were bought strictly out of fan appreciation – a Gil Kane Green Lantern; a color head shot of The Thing from “Mr. FF,” Joe Sinnott; a magical, mystical Doctor Strange by that painter with a pencil, Gene Colan.

Two big frames in my living room contain mementos from my own comic stories. In the late 1990s, some might recall, I spent several months writing freelance for DC Comics, arriving on the scene just in time for the business to take a major nosedive (the speculator bubble popped; Marvel Comics filed for bankruptcy protection), but before the work dried up underneath me I teamed with my old friend, Lee Weeks, on the graphic novel Batman: The Gauntlet and had my “Huntress” short story for the Batman Chronicles anthology title illustrated by Jim Aparo. I’m pleased to own two pages from each of those stories and am proud to have worked with both those talented gentlemen.

Some too-generous friends have given me several originals, including a very wonderful Olive Oyl profile shot rescued from a waste paper basket at the Fleischer Studios by a member of the production staff and later sold at an Atlanta Fantasy Fair. Color notations around the edge of the piece lend one to believe this was put together for one of the three Fleischer two-reelers, the only color Popeye work they produced.

As LOAC was building up its head of steam, I decided to keep my eyes open for select originals from some of our books. I wasn’t about to break the bank (my prudent Scots heritage at work again), but for the right price I was willing to dabble in the original market.

The few Scorchy Smiths I found were priced well beyond the amount I was willing to pay, meaning I still have no original Noel Sickles piece. Yet I was lucky enough to snag a daily from his artistic stable-mate’s greatest creation:

Terry

Yes, that’s the March 11, ’39 Terry and the Pirates, as the “Indo-China” sequence rushes to its climax. Milton Caniff had been hospitalized at the start of this storyline; many believe Sickles assisted his close friend throughout, to help him get back on schedule. Look at the foliage in the background of that last panel and judge for yourself, but some of my friends believe I own both Caniff and Sickles work in this one strip …

Not long after acquiring the Terry, lightning struck again and I procured this, the February 23, 1953 Rip Kirby daily.rip

While Rip is nowhere to be seen, I’m a Honey Dorian fan, so owning a daily featuring Honey is fine by me. Raymond’s exacting, confident rendering continues to delight.

If you’ve read my text in King Aroo Volume 1, you’ve likely figured out I’m a big fan of the strip (and you are, too – right?). It was a red-letter day when I was able to land this January 30, 1960 Aroo original:aroo

The seller told me he was a Jack Kent fan, parting with the strip only reluctantly in order to raise money that would help him in a financial pinch. I sent him a copy of King Aroo when it went on sale – perhaps the seller having Kent strips in quantity at least partially counterbalanced his having parted with this original? I can only hope so.

Bringing Up Father led me a merry chase indeed. Four or five times I chased a McManus/ZekleyBUF only to come up short. In mid-summer, however, opportunity knocked and I opened the door…BUF

I’m mighty happy to have added this to my handful of original art. There’s Jiggs – there’s Maggie – there’s the Deco motif – there’s the surreal little background figure cutting capers. A neat, representative sampling of the best elements of this long-running strip.

As you might expect, I’ve become a familiar figure at my local framers over the fifteen years I’ve lived at my current residence. Here’s a heads-up, Brian and Sally, if you’re reading this – I’ll soon be coming through the door to ask you to work your magic so I can add Bringing Up Father to the other pieces of art on my walls!

Secret Agent Corrigan Hits Stores!

Corrigan_titleThe first volume of our multi-volume series reprising Al Williamson and Archie Goodwin’s X-9: Secret Agent Corrigan has officially hit the bookstores. The strips are reproduced from Al Williamson’s personal proofs. To provide context, Mark Schultz wrote a touching tribute to Al, and Bruce Canwell offers up a detailed look at the history of X-9, going back to its creation in 1934 by Dashiell Hammett and Alex Raymond.

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