Here’s LOAC Art Director Lorraine Turner with Francesco Meo of the Italian comics publisher Cosmo Editoriale. We had lunch with Francesco today in Bologna, renewing the friendship we established at Angoulême last year. Newspaper strips fans will be glad to know that Francesco is publishing Italian editions of Terry and the Pirates, Steve Canyon, Dick Tracy, Russ Manning’s Tarzan, Flash Gordon, Rip Kirby, as well as other “A” list strips!
Several years ago we took some time in this space to show you what my LOAC bookshelf looked like. I shelve my books in alphabetical order by author, or by publisher where that makes more sense — for instance, while my William Saroyans are under “S”, my Fantastic Fours are under “M”, with the rest of my Marvel Comics collections. My Library of American Comics titles are therefore under “L,” and then shelved alphabetically in a logical way (well, logical to me, anyway), as you can see:
The Library of American Comics marked its tenth year of publication this summer, and using this milestone as a launching point, 2017 was the year LOAC took the comics world by storm. The familiar “word balloon” logo was emblazoned on a wide range of products including t-shirts, coffee mugs, towels, baseball caps, and even lace doilies to drape over the back of sofas or love-seats. There were the LOAC events at major conventions on both coasts. The article on us (with the biographical sidebar about Dean) in that July issue of Entertainment Weekly. And how about …
Wait. None of that really occurred. Sorry — sorry!
Instead, what happened during 2017 was that LOAC continued its mission to collect a wide range of entertaining and significant newspaper comics in permanent hardcover editions, helping to preserve the “strips” portion of comics, one of the handful of truly native American artforms.
Dean and Kurtis are back for the second episode of the Library of American Comics & EuroComics Podcast!
In this episode, Dean and Kurtis discuss Li’l Abner, Vol. 9, Dick Tracy, Vol. 24, Superman: The Atomic Age Sundays, Vol. 3 and Star Hawks, Vol. 2! And joining us for this episode is LOAC Art Director Lorraine Turner discussing the process behind choosing titles to publish, the art of restoration and design. Plus, a special announcement about a new EuroComics title coming soon!
Welcome to the very first episode of the Library of American Comics & EuroComics Podcast, hosted by Dean Mullaney and Kurtis Findlay!
In this episode, Dean and Kurtis discuss Disney’s Christmas Classics, Silly Symphonies Vol. 3, and The Man from the Great North. Plus, get to know LOAC Associate Editor Bruce Canwell!
— You get a piece like this one, in which we answer the often-asked question, “What’s ahead for LOAC in the months to come?”
Firstuvall, we got your space opera right here! As 2017 unfolds you’ll see us wrap up our UK Star Trek comics and release the middle volumes in both our Star Wars and Star Hawks trilogies. To whet your appetite for the exploits of Rex, Sniffer, Alice K., and Chavez, here’s an April 1979 beauty, done in Gil Kane’s inimitable style:
ZAM!, indeed …
Old friends will continue to make fresh appearances — Little Orphan Annie, Dick Tracy, and also our fourth Skippy book! This endearing kids-strip is always a delight, and Jared Gardner’s insights into the increasingly-troubled life of cartoonist Percy Crosby is compelling reading, an important addition to our understanding of comics history.
One of our old friends will offer something extra-special to readers — our upcoming Li’l Abner Volume 9 will provide a handful of strips that have never before been reprinted in continuity! What the dickens does THAT mean, you ask? Well, sharp-eyed readers of the Kitchen Sink Press Abner reprints from the 1980s/90s may remember there was a gap in the continuous run of strips between KSP Volumes 17 and 18 — the 1951 strips reprinted in Vol 17 ended on December 29th, with Fearless Fosdick still at the mercy of the “Atom Bum”. Vol 18 opened in Dogpatch with the January 21, 1952 daily, focusing on Abner and his brand-new chemistry set. What happened to the dailies in between? What was the fate of the Atom Bum? Here’s a snippet from one of the missing strips that makes it look bad for America’s ideel …
We asked Denis Kitchen about the missing strips and he reported that a layout problem in Volume 18 caused the dailies in question to be unintentionally dropped (and KSP had reprinted the full story of the Atom Bum in the first of their two Fearless Fosdick collections, published in 1990). Denis is always an invaluable part of our Li’l Abner team and he’s as happy as we are to see these strips being reprinted in continuity for the very first time. And oh, by the way, the other strips in our Abner Volume 9 are also literally History-Making — the mystery of Nancy O wraps up in 1951, and a major event in 1952 made the prestigious cover of Life magazine!
We have more than old friends to offer — as we recently discussed, we’ll also be welcoming Lynn Johnston’s exceptional For Better of For Worse to the LOAC line of books.
We’ll have more Disney comics for you to enjoy (don’t quack up — more Donald Duck Sundays are coming soon!), and Superman will be wrapping up the 1950s in a colorful collection of Sunday pages. Meanwhile, our next LOAC Essentials will showcase a strip we’ve used in a past “fantasy day comics page” or two (so you can use our “Search” feature to do a little research and start guessing …). This feature is one of my very favorites, but I won’t be writing the Introduction to the book, because we’ve lined up someone who may love this work even more than I do!
Of course, I will be writing the essay for Steve Canyon Volume 8 as we take Stevenson B.’s adventures deeper into the years of the Kennedy Administration. Here’s a sneak-peek at Milton Caniff’s Christmas thought for his audience, circa 1962:
Bottom line: what’s coming from The Library of American Comics in the months ahead? Loads of adventure and comedy — stories ranging from the Dogpatch hills to the depths of the Barnum Star System — and work by award-winning talents spanning the 1940s through 1970s. If you agree that’s a nice lineup, please join us for those books you’re sure to enjoy!
While there is much to recommend in this science fictional modern age, the Good Old Days had at least some advantages. One of them was the ability to walk into an honest-to-Pete bookstore and pick out the exact copy of a new release that you wanted to buy and take home. I was especially lucky, because I spent years making regular pilgrimages to Harvard Square, the home of WordsWorth, a sizable, well-stocked establishment that sold every book at a discounted price. And if that wasn’t enough of a description of Heaven, WordsWorth was located just down the street from that grand ole comics shop, Million Year Picnic.
Million Year Picnic is still in business, but WordsWorth closed its doors in the autumn of 2004. Declining readership and expanded book buying options squeezed it — and many, many other independent bookstores — out of the marketplace.
One of those expanded options was, of course, Amazon.com. It began in 1994 specifically as an on-line bookseller; its growth into a retail giant big enough to blot out the sun has been chronicled elsewhere, better and more knowledgeably than I could do here. Amazon’s deep discounts make it attractive to many consumers, but some persons have been experiencing regular, persistent difficulties getting undamaged copies of LOAC books delivered from Amazon to their doorsteps.
One reader, a self-described “long-time, long-suffering customer” of Amazon’s, contacted us at the end of January to describe issues experienced when ordering LOAC books from Amazon. This person wrote: “I purchase from Amazon four LOAC titles: Dick Tracy, Li’l Abner, Little Orphan Annie, and Steve Canyon. I have collected other titles as well, including Terry and the Pirates and Russ Manning’s Tarzan. I can safely say that I have rarely accepted the first copy of any of these books shipped to me by Amazon.” Our correspondent went on to describe eight different “hurt” conditions that ranged from holes in the dust jackets and book covers to “marks, stains, and sticky residue” on the books and their jackets. As an example of one specific condition — torn just jackets — the writer included these pictures of Steve Canyon Volume 7, about which the person in question said: “I needed to place five orders [with Amazon] before receiving a relatively undamaged copy [from them].” (Emphasis the original author’s.)
After using Amazon’s Leave Packaging Feedback feature “more times than I can remember. The results have been nonexistent”, and making calls to Amazon Customer Service representatives, the reader turned to us to ask if we could help. “I have repeatedly tried to make them [Amazon] aware that the books [from LOAC] are collectibles that need extra care,” said our correspondent. “Amazon makes no allowances for this.”
Here at LOAC, we will do what we can to raise this situation to Amazon’s attention, and we have been in communication with the appropriate sales team within IDW Publishing, sharing our reader’s letter with them and getting their commitment to address the matter with the proper Amazon parties. Obviously, how Amazon chooses to conduct its business is up to them. Our regular distribution channels deliver large quantities of undamaged books to Amazon, so if LOAC books are reaching readers in hurt conditions, the logical conclusion is that Amazon’s procedures are creating opportunities for the damage to occur during the packing and shipping periods.
Meanwhile, if like our correspondent you receive damaged LOAC books from Amazon.com, what can you do to help the situation?
- 1. Do not accept damaged books.
- 2. Returned the damaged books to Amazon and ask for a replacement.
- 3. When returning damaged books, specifically note that the problem lies with Amazon’s shipping.
One thing that does not help is going to the book’s Amazon page and leaving an unfavorable review of the book to protest receiving a hurt copy. Amazon doesn’t screen reviews for comments about its pack-&-ship procedures, so a “down-graded” review only delivers collateral damage to LOAC and leaves Amazon unaffected.
If I may conclude by speaking personally: I am a long-time Amazon customer and find them an invaluable supplier in many ways. Like the person who wrote to us, I have in the past received books in damaged condition, but have followed the three steps above and received an acceptable replacement copy in short order. I may be fortunate in that respect; clearly, our correspondent consistently has had less successful experiences than my own. My hope is that, through whatever avenue one chooses, every LOAC reader receives our books in clean, undamaged condition. That’s what readers deserve in return for paying out their hard-earned cash.
But you’ll pardon me if at this moment I find myself just a bit nostalgic for those Good Old Days of Harvard Square and WordsWorth …
During a cold, snowy first week of 2017 here in New England, two things occurred to me:  we’re overdue for a Fantasy Comics Page in this space, and  2017 marks the 241st anniversary of the acknowledged founding of the United States of America. We’re fewer than ten years away from the USA’s 250th birthday, the Sestercentennial! (Or Semiquincentennial, if you’re cut from Johnny Littlejohn/Hank McCoy polysyllabic cloth — the jury’s out on what the celebration will officially be called.)
When that pair of thoughts collided, I went back into the strips, looking to build a Fantasy Page from the first day of our Bicentennial Year, January 1, 1976. What I put together tickled me, and I hope you’ll enjoy it, too. It features a mix of comedy and adventure strips, popular long-running comics and more obscure fare. We begin with two of my all-time favorite series: Al Capp brings Baby New Year back to Li’l Abner (no one knew it at the time, but the strip had less than two years’ of life remaining), while Tom Ryan ignores the new year entirely in his always-wonderful Tumbleweeds.
Gus Arriola’s work always gives me a smile, so including Gordo on this Fantasy Page is a distinct pleasure — and one might think Flash Gordon could use New Year’s Day as an excuse to take a break from tromping around dungeons and fighting monsters, but this lovely example of Flash’s strip by Dan Barry proves that’s not the case. And who among us has not faced the “good diet resolution” dilemma Tom Batiuk presents in Funky Winkerbean? (Though I hope most of us last longer than this before breaking our resolutions!)
Lolly was a new strip to me, and I enjoy such finds, as well as going back to learn a bit about them. In this case, Lolly was the brainchild of former Disney Studios animator Pete Hansen and ran from 1955 to 1983. Lolly herself is a nicely-designed character, and the balance between her home and work life (she was an office employee, supervised by “Mr. Quimby”) gives her the same sort of plot grist that would make the Mary Tyler Moore Show such a hit throughout most of the ’70s (though Lolly, while appealing, is no Mar’!)
Junior Tracy’s Bicentennial New Year begins earlier than he’d like — note who’s sleeping next to him! You can read the first appearances of the Moon Maid in our just-released Dick Tracy Volume 21. Irwin Hasen was one of the treasures of the comics world, even when newspaper editors mistakenly identified him as “Irwin Hansen;” here’s how his Dondi started off 1976. Snoopy and Woodstock were partying hard in Peanuts, and appropriately, our Fantasy Page ends with a strip created specifically with the Bicentennial in mind, Yankee Doodles. This was also an unknown strip to me when I stumbled across it, but thanks to historian extraordinaire Allan Holtz and his invaluable “Stripper’s Guide” website, I learned this was a feature that lasted only fifty months, and was the product of three creators: Ben Templeton (later of Motley’s Crew fame), Fred W. Martin, and Don Kracke — think of the hilarity that could have ensued if the credits had said, “by Kracke!”
Who knows what sort of comics will arise to take advantage of the Sestercentennial? (Or the Semiquincentennial, should we opt for the longer name …)
Anyway, here’s our look back at January 1, 1976 —
Hollywood has been on my mind a lot the past few weeks.
It started while assembling the week’s worth of puzzles that ran in this space a short time ago; each installment contained one Hollywood connection, and it was great fun sifting through images of wonderful old stars such as Eve Arden and Spencer Tracy.
Over the past couple days days there has been some discussion amongst my oldest friends regarding the new Doctor Strange motion picture from Marvel Studios. When you grew up reading Marvel Comics as we did, and when you dealt with the sneering of the adult population (I remember one bookstore clerk racking up the sale for a fresh stack of comics I was buying and snidely asking, “Are you going to read them all tonight?”), regardless what you think of the finished movie product it’s more than slightly amazing that John & Jane Q. Public now know who Stephen Strange is (and Tony Stark, and Steve Rogers, and Peter Parker, and …). Even more amazing to realize how many members of that public-at-large are shelling out hard-earned coin to see their big-screen adventures.
In the course of that discussion, it hit me that that while audiences watching theatrical versions of Marvel Comics characters is a relatively new phenomenon, the practice of audiences filling movie palaces to see cartoon characters move and talk and generally come to life is anything but new — and yes, it was the comic strips that got there first. That led me to put together this two-part look back at Those Thrilling Days of Yesteryear, focusing this time on the “crown jewels” of the Chicago Tribune New York News Syndicate.
Milton Caniff’s 1934-1946 run on Terry and the Pirates remains as feisty and entertaining today as it was when it was appearing in daily newspapers across the country. The Columbia Pictures serial version of Terry is less successful than its source material, but back in 1940 comics were considered cheap, throwaway entertainment and chapterplays were simply warm-ups for the featured film, so there were less-discerning filters being applied in those days. Certainly many of the kids attending the Saturday matinee were probably content to see Terry, Pat, Normandie, Connie, and Big Stoop walking, talking, and come to life before their eyes.
As discussed in Volume 5 of our Little Orphan Annie series, 1932 brought RKO’s version of America’s Spunkiest Kid into the cinemas. It fared little better with critics than would Terry, despite featuring one of the premier child stars of the day, Mitzi Green.
Arguably the best and certainly the the longest-lived of the celluloid versions of the CTNYN “Big Three” is Dick Tracy. America’s Top Manhunter first hit the movie screen in 1937 as a fifteen-chapter Republic Pictures serial, the first in a series of five from that studio.
RKO followed Republic in 1945 with a series of four Dick Tracy full-length films. Morgan Conway played Tracy in the first two before Ralph Byrd resumed the part for Dick Tracy’s Dilemma and Dick Tracy Meets Gruesome. In this still with June Clayworth from the latter production (1947), it’s clear Byrd still looks great as Tess Trueheart’s one-and-only.
CTNYN wasn’t the only major comic strip syndicator to have its characters entertain movie-goers. We’ll be back soon with a look at a trio of strips from the King Features stable that lived parallel lives in the flicker-pictures.