Archive | Flash Gordon and Jungle Jim

Flash and the Seven Dwarfs

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One of the fun parts of doing research (in this case for the forthcoming Flash Gordon/Jungle JimVolume Two), is seeing the contemporaneous connections of pop culture icons from the past. Bruce Canwell uncovered this 1938 Seein’ Stars by Feg Murray, in which the cartoonist  presents three then-current Hollywood stories, each of which has a comics tie-in: Buster Crabbe in the second Flash Gordon serial, Disney’s famous first animated feature, and Jackie Coogan suing his parents over squandered earnings (Coogan’s brother, Robert, co-starred with Jackie Cooper in the Academy Award-nominated film version of Percy Crosby’s Skippy in 1931).
Like many cartoonists of the time (such as Will Gould), Murray was a sports cartoonist before creating a nationally syndicate comic. Murray was also a Hollywood reporter and radio host. Seein’ Stars was initially printed in the entertainment section of newspapers, but moved to the comics section in 1938. Drawn in the format of Robert Ripley’s Believe It or Not, Seein’ Starswas a popular feature that lasted into the 1950s.

Alex Raymond’s Guided Tour

I am in the process of restoring Sunday strips for Flash Gordon Volume Two. Alex Raymond’s art is such a treasure—it’s like I am working on pieces that belong in a museum. That’s how I feel about these books…they are all little museums and I get to help guide the reader through the rooms. The Jungle Jim renderings have definitely taken a new turn. In Volume One all the plain-faced babes were in jodhpur pants and pith helmets—now we see them in low-cut dresses and bare legs, topped off with lipstick and eye shadow. I can’t help but grin at the obvious sexy styles of the heroine and villainesses.

In Flash Gordon the faraway overview scenes familiar in Volume One now switch to tight close-ups, revealing Raymond’s exquisite detailing of facial anatomy. He captures the characters’ expressions in tight renderings and excellent line work. This new focus draws us into the drama, showing how the characters are “feeling” during the adventure. As a woman I am sensitive to the storyline of the 1930s in which the females seem unable to fend for themselves and have nothing in their wardrobe except high heels and skimpy outfits that reveal lots of cleavage. But it is Raymond’s brilliant ability to create a futuristic world of laser guns and rockets that continues to enthrall me. His art has clearly inspired others. I love coming across panels like this. Who knew Stormtrooper uniforms were all the rage in the mid-30s?

 

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It is with gratitude that I write this little blog. I wake every day and have the pleasure of visiting art museums inside the world of LOAC. On any given day, I find myself in the galleries of some of the best artists who have ever walked this planet such as Alex Toth, Cliff Sterrett, Percy Crosby, George McManus, and Alex Raymond. I often wonder if the fans of comics today have ever even heard of these wonderful artists. If they haven’t then tell them—spread the word and maybe those costumes you see at the next Comic-Con will reflect a different attitude. Perhaps instead of Chewbacca, Wonder Woman, and Spiderman you’ll find Polly, Dagwood, or even an original Stormtrooper—now that would be something to see!

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Size DOES Matter

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If anyone had any doubts that our Flash Gordon/Jungle Jim series was going to be big, this picture of Lorraine Turner— the book’s designer holding her handiwork—will dispel them. We just received our advance copy from the printer, which means it should be in stores in about four weeks. Time to break out the champagne!

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