Chris Marshall at the Collected Comics Library is one of the most articulate and well-read interviewers around. On his latest podcast, he turns his attention to The Library of American Comics. Check it out, as we discuss the whys and wherefores of our books, our general philosophy about archival work, and what new projects are on the horizon!
The Library of American Comics is leavin’ Dogpatch and headin’ for Noo Yawk Comic Con, October 8-10 at the Javits Center. Come to IDW’s Booth 2115 and meet Creative Director Dean Mullaney, Associate Editor (and author of the forthcoming Alex Toth biography!) Bruce Canwell, plus assorted friends and sundry acquaintances. We look forward to talking to you about our favorite classic comic strips, and to show off our new releases. Get the exclusive first looks at Li’l Abner 2, Blondie, and the amazing Polly and Her Pals.
See you there!
Chris Marshall at the Collected Comics Library is one of the most articulate and well-read interviewers around. This week on his podcast, he turns his attention to The Library of American Comics. Check it out, as we discuss the whys and wherefores of our books, our general philosophy about archival work, and what new projects are on the horizon!
The Library of American Comics is headin’ for New York Comic Con, October 8-10 at the Javits Center. Come to IDW’s Booth 2115 and meet Creative Director Dean Mullaney, Associate Editor (and author of the forthcoming Alex Toth biography!) Bruce Canwell, plus assorted friends and sundry acquaintances. We look forward to talking to you about our favorite classic comic strips, and to show off our new releases. Get the exclusive first looks at Blondie and Polly and Her Pals.
See you there!
I never set out to collect original art, but over the years I’ve amassed a couple dozen pieces, all of which I’ve had matted and framed for display. I have my share of other, mass-produced items hanging, as well. The Graffiti Designs poster of James Bama’s cover for the Doc Savage supersaga The Monsters was a must-have, as was the Mike Kaluta poster, “The Shadow Ablaze.” And how could I pass up this classic shot of The Kid, smacking a home run in his first at-bat of the 1947 season:
(Sorry, all you fans of Barry Bonds, Josh Hamilton, Alex Rodriguez, Albert Pujols, or any other masher you can list – four decades after he hung up his cleats, the incomparable Ted Williams remains the greatest hitter who ever lived.)
First-time visitors to my humble abode acknowledge the posters and photos, yet they linger over the originals. Some sketches were bought strictly out of fan appreciation – a Gil Kane Green Lantern; a color head shot of The Thing from “Mr. FF,” Joe Sinnott; a magical, mystical Doctor Strange by that painter with a pencil, Gene Colan.
Two big frames in my living room contain mementos from my own comic stories. In the late 1990s, some might recall, I spent several months writing freelance for DC Comics, arriving on the scene just in time for the business to take a major nosedive (the speculator bubble popped; Marvel Comics filed for bankruptcy protection), but before the work dried up underneath me I teamed with my old friend, Lee Weeks, on the graphic novel Batman: The Gauntlet and had my “Huntress” short story for the Batman Chronicles anthology title illustrated by Jim Aparo. I’m pleased to own two pages from each of those stories and am proud to have worked with both those talented gentlemen.
Some too-generous friends have given me several originals, including a very wonderful Olive Oyl profile shot rescued from a waste paper basket at the Fleischer Studios by a member of the production staff and later sold at an Atlanta Fantasy Fair. Color notations around the edge of the piece lend one to believe this was put together for one of the three Fleischer two-reelers, the only color Popeye work they produced.
As LOAC was building up its head of steam, I decided to keep my eyes open for select originals from some of our books. I wasn’t about to break the bank (my prudent Scots heritage at work again), but for the right price I was willing to dabble in the original market.
The few Scorchy Smiths I found were priced well beyond the amount I was willing to pay, meaning I still have no original Noel Sickles piece. Yet I was lucky enough to snag a daily from his artistic stable-mate’s greatest creation:
Yes, that’s the March 11, ’39 Terry and the Pirates, as the “Indo-China” sequence rushes to its climax. Milton Caniff had been hospitalized at the start of this storyline; many believe Sickles assisted his close friend throughout, to help him get back on schedule. Look at the foliage in the background of that last panel and judge for yourself, but some of my friends believe I own both Caniff and Sickles work in this one strip …
While Rip is nowhere to be seen, I’m a Honey Dorian fan, so owning a daily featuring Honey is fine by me. Raymond’s exacting, confident rendering continues to delight.
If you’ve read my text in King Aroo Volume 1, you’ve likely figured out I’m a big fan of the strip (and you are, too – right?). It was a red-letter day when I was able to land this January 30, 1960 Aroo original:
The seller told me he was a Jack Kent fan, parting with the strip only reluctantly in order to raise money that would help him in a financial pinch. I sent him a copy of King Aroo when it went on sale – perhaps the seller having Kent strips in quantity at least partially counterbalanced his having parted with this original? I can only hope so.
I’m mighty happy to have added this to my handful of original art. There’s Jiggs – there’s Maggie – there’s the Deco motif – there’s the surreal little background figure cutting capers. A neat, representative sampling of the best elements of this long-running strip.
As you might expect, I’ve become a familiar figure at my local framers over the fifteen years I’ve lived at my current residence. Here’s a heads-up, Brian and Sally, if you’re reading this – I’ll soon be coming through the door to ask you to work your magic so I can add Bringing Up Father to the other pieces of art on my walls!
It was a great honor to have our Bringing Up Father: From Sea to Shining Sea nominated for a 2010 Eisner Award. There can be only one winner in each category, and BUF did not take home the trophy (Bloom County, our other entry in the awards, did win—yay!) but we gained a lot of satisfaction from the Eisner committee’s recognition of the fabulous work of George McManus and his long-time assistant, Zeke Zekley.
As usual, our research into the history of the strip and its creators blended details from well-known sources with newly-uncovered information and rare photographs. In studying the life of George McManus for BUF: FStSS, I bought all three issues of the early 1950s Collier‘s Magazine that featured the artist’s autobiographical musings. My research also uncovered birth records from the City of St. Louis that provided, for the first time, clear-cut proof of the date McManus came into this world (Geo. McM. himself often played fast and loose with that information). I was also fascinated to find McManus remained in the news after his passing – wire services and several newspapers followed the story Zeke Zekley going to court to contest McManus’s will. This was fresh information to even some of the art form’s most erudite scholars.
From Sea to Shining Sea also brought what is, to my knowledge, unprecedented (but much deserved) attention to the accomplishments of Zeke Zekley. It was the cooperation of comics historian and Zekley acquaintance Chris Jenson, as well as interviews with Zekley’s descendants, that made possible this coverage.
Now, presented for your viewing pleasure, here are a half-dozen additional photographs of George and Zeke. They came to us courtesy of David Folkman, of Hogan’s Alley fame, who was very close to Zeke for many years.
First up, McManus and the Zekleys chow down Hollywood-style, accompanied by actress Renie Riano, who played Maggie in five Bringing Up Father motion pictures:
If this next photo is any indication, McManus gravitated toward the lovely ladies as much as did his strip’s hero, Jiggs. Though surrounded by fellow cartoonists, notice George is chatting with Zeke’s wife, Anita Zekley.
Cartoonists have a long and notable history of doing their bit for Uncle Sam. Here’s Zeke (third from left) standing next to Dennis the Menace’s Hank Ketcham at a U.S. Savings Bond event that included cartoonists Chic (Blondie) Young, Gus Edson (Dondi), Milt Gross, Ferd Johnson, Dan (Hopalong Cassidy) Spiegle, and several others.
McManus moved in the same circles with artist Jimmy Swinnerton, another favorite of William Randolph Hearst (the newspaper mogul who was the prime mover and shaker behind King Features Syndicate). Here, George and Swinny share a laugh:
And here they participate in a U.S. Treasury event. Two things to call to your attention:  at far-right is George’s brother, Leo McManus, who worked for many years at King Features.  Notice with whom George is shaking hands – none other than Walt Disney, himself!
Zeke and Otto (The Little King) Soglow appear to be massaging Popeye’s flaccid right arm muscles while McManus gives the squinky-eyed sailor a pep talk. Fred Lasswell (Barney Google and Snuffy Smith) may be wondering if even a can of spinach would be enough to help this guy whip Bluto.
You may also want to take a look at Popeye’s pants. Could it be that E.C. Segar’s inspired creation invented the “low-riders” so prominently worn around today’s schools and malls?
One of the absolute truisms of studying comics history: no matter how much we uncover, there is always more to be learned!
Beau Smith, self-styled raconteur and manly man about town, has joined the Library of American Comics as our new Director of Marketing.
We’re thrilled to have Beau onboard. He and I go way back to the 1980s and Eclipse Comics, where I was the publisher and Beau the Marketing Director.
A graduate of Marshall University in his native West Virginia, Beau’s done it all in comics. In addition to Eclipse, where he got his start, Beau was the VP of Marketing and Publishing for Image Comics, Todd McFarlane Productions and McFarlane Toys, was with IDW Publishing for many years, and is the former Director of Product Information for toy maker JUN Planning USA.
As a comics writer, Beau’s written Batman, Superman, and Wolverine, and his stories have appeared at DC, Image, IDW, Eclipse, Dreamwave, Moonstone, Dark Horse, and many other publishers. He created several well-received series, including Wynonna Earp, Parts Unknown,Maximum Jack, Courting Fate, and Cobb.
If that wasn’t enough, he offers his pearls of wisdom in regular columns: “Busted Knuckles” at Comics Bulletin, and “From the Ranch” for Sketch Magazine.
Beau’s going to be focussing on retailers, libraries, and universities, so all retailers, librarians, professors, and teachers are encouraged to give him a shout: firstname.lastname@example.org.
And now for something completely different:
If you’ll allow me this brief diversion, I’d like to introduce you to my new nephew, Henry. He’s the first for my younger sister and her husband, born in April at nine pounds and twenty-one inches long. In the weeks since, he’s been thriving, having developed a ready smile and as sunny a disposition as an infant can display.
I’d like to say I played some role in making him that happy, but his mom and dad deserve all the credit.
One of the things I do hope I can give the not-so-little guy in the years ahead is an introduction to the classic comic strips we all know and love. Certainly there are Library of American Comics volumes to capture his interest as he grows up. The funny animals of King Aroo might make him laugh in his early school years—in his “tween” years, he may get swept away by the exotic adventure of Terry and the Pirates and our upcoming Flash Gordon/Jungle Jim—and by the time he’s a teenager, the sophisticated sleuthing of Rip Kirby or outrageous comedy of Bloom Countycould catch his fancy.
Of course, his interests may develop along entirely different lines…and that’s OK. We all get to pick our own path, which is how it’s supposed to be. I won’t push anything on him—but if he expresses interest in any of the LOAC books on his parents’ shelves, he’ll know who to talk to in order to learn more about them!
Many of us remember when the idea of alternate universes was strictly the province of science fiction and comics enthusiasts. SF writers like Robert Silverberg, using their personal interest in history, have dabbled with the concept in short stories and novels for decades (most recently inRoma Eterna). “Mirror, Mirror,” one of Star Trek‘s most popular episodes, dropped Captain Kirk and three of his officers into an “evil twin” reality. And DC Comics has maintained a decades-long love affair with alternates, beginning with the Gardiner Fox/Carmine Infantino “Flash of Two Worlds” story from 1961’s Flash # 123.
Today we live in a science fictional world, and the phrase “alternate universe” is part of the common cultural coin, to the point where even crusty Republicans like Newt Gingrich are making money off the idea.
Recently I found myself pondering possible alternate universe comic strips. If there truly are an infinite number of Earths in the multiverse, these four comics must exist out there somewhere:
Little Orphan Terry: Taken in as a seven-year-old by Oliver “Daddy” Warbucks, Terry Lee grows up finding adventure in the four corners of the globe. Terry proves he’ll not be separated from his adoptive guardian when he stows away the first time “Daddy” sails to deal with business interests in the Far East: even today, the “Wun Wey Battles Captain Blaze” storyline remains a classic. Many are especially fond of later stories, after Terry has grown into young manhood and helps “Daddy” get girls.
Scorch Kirby: Alex Raymond’s ex-aviator private eye has a straight nose and never wears glasses or plays the piano; Honey Dorian finds him crude but irresistible, especially after he feeds Pagan Lee to the law for her involvement with The Mangler. Scorch’s butlers never seem to last long. Short-timers like Tex and Gus have their supporters, though the majority of fans divide equally between the droll reserve of Desmond and the thick German accent of Himmelstoss.
Bringing Up Family: The George McManus/Zeke Zekley “diagrammatic” Sundays remain must-see material, as Maggie and her brood criss-cross the city in search of Jiggs and his carousing buddies.
Li’l Annie: The red-headed waif is the smartest (and best spoken) person in Dogpatch; her bemused comments about the zany antics going on around her built a daily readership that numbered in the tens of millions. She was beloved for her annual consultations with Old Man Mose in order to help deserving bachelorettes land a “dream-boat” on Sadie Hawkins Day. After Annie and the Dogpatch kids brought Gat Garson to justice, a pop culture catch phrase was born in 1939 with Garson’s last words on his way to the electric chair: ” … And I’d have gotten away with it, too – if it hadn’t been for those KIDS!”
Got an alternate universe comic strip you’d like to see in this space? Send your ideas email@example.com ; we’ll run a follow-up in a future installment!