Archive | King Aroo

New Light on an Old Favorite (The Kent-Kelly Letters, Part 1 of 3)

It’s no secret we’re big King Aroo fans here at LOAC—we reprinted the first two years of the strip in a 2010 collection that was translated into German by our friends at Bocola Verlag. While we wait to get the next brace of strips to do a follow-up volume, I was fortunate enough to acquire a handful of Sunday newspaper pages featuring the King in full color. We’ll present a handful of them in this mini-series of articles so you can see the land of Myopia in its full, Technicrayon glory as you read on.

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As chronicled in this space, late last year we were doing research at The Billy Ireland Cartoon Library and Museum, sifting through their astounding range of holdings in support of a variety of projects. We hit upon a folder that contained letters involving the creator of King Aroo, Jack Kent, and Walt (Pogo) Kelly and we requested a closer look at that material. Susan Liberator and the Billy Ireland Cartoon Library and Museum staff came through for us as they always do, and the contents of these letters shed some fascinating new light on the genesis of King Aroo.

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The earliest of these letters from Kent to Kelly is undated, but based on the date of the next letter in the sequence it was likely penned very late in 1949 or early in ’50, when Jack would have been twenty-nine years old. It was a fan letter of the type Kent had been writing to newspaper cartoonists since he was a teenager—if comics had had a First Fandom similar to science fiction’s Jack Kent would certainly have been a member of that community, given how actively he sought out comic strip creators and amassed a collection of original art via request and trades with fellow fans. Jack skillfully works his bona-fides into this particular letter, mentioning that he has secured “the friendship of George Herriman,” the guiding light behind Krazy Kat, and that this relationship with “Garge” makes it impossible for Kent to decide whether Krazy or Pogo is the superior strip. Surely Kent felt that making such a comparison would flatter the maestro of the Okefenokee.

Jack went on to extol the virtues of Pogo, citing “The delightful whimsy, the consistently high level of the humor, the marvelous characterizations, and the outstanding art work.”

Jack also makes a passing reference to his artistic ambitions in his own unmistakable prose style: “I’m a limn lubber with the unrealized ambition to syndicate a comic strip,” he confides to Kelly at one point.

The longest paragraph in this letter serves up the familiar request Kent likely made to every cartoonist with whom he sought correspondence: “I wish I had an original drawing by you.” He begs forgiveness for making the request and says he knows Kelly is inundated with such requests. “I apologize … I’m ashamed … I can’t help myself…,” he writes, then says, “I repeat the request – A discarded strip, a hasty doodle or a sketch retrieved from the trash would be treasured more than I can tell you.”

Based on this short series of letters, it appears Jack Kent never did get the original from Walt Kelly…but as you’ll see in future installments, Kelly provided something much more valuable …

 

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Of Kings, Newsboys, and Pinheads…

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Bill Griffith always keep us laughing, and this “Zippy” daily from Friday, September 10th, is no exception. What makes this daily different from all others? Check out his hilarious reference to Jack Kent’s King Aroo in the first panel. “Big words” is another reason for you to give theMyopian King a try, if you haven’t already.

Thanks to Bill for letting us post the daily (©2010 Bill Griffith). His — and Zippy’s — own siteshould be on your list of regularly-viewed sites.

Dateline: Myopia

We were mighty pleased to discover that King Aroo Volume 1 got a positive review from noted fantasist and critic Charles de Lint. Mr. de Lint writes a regular review column in the mightyMagazine of Fantasy & Science Fiction, and he closes the May/June 2010 installment of his “Books to Look For” by telling his readers that Jack Kent’s King Aroo is “just so darn good.” And who are we to disagree?

You can read the review at: http://www.sfsite.com/fsf/2010/cdl1005.htm. If you’re looking for some prose reading, the full column contains looks at recent releases by Stephen King, Nina Kiriki Hoffman, Cory Doctorow, and Peter Straub. Or if you’re the impatient type, scroll to the bottom of the page to read Mr. de Lint’s delightful words about Aroo.

In Sergio Aragones’s introduction to the first Aroo book, he wrote about his love for the strip. Here’s Sergio and me catching up for a chat at the San Diego Comicon this year. (He’s the handsome one on the right)Dean_Sergio

We’re currently putting together the finishing touches on King Aroo volume 2, which collects November 1952 through November 1954. Jack Kent Jr. has again provided all the original art in his family’s collection, and Bubbly Bruce Canwell has written another incredible biographical essay. Here’s one of my all-time favorite Aroo dailies (from December 25, 1952) that fully captures Kent’s amazing talent for wordplay.

 

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