Archive | Rip Kirby

Prentice and Williamson in Mexico

When Rip Kirby artist John Prentice and his wife decided to move to Mexico in the early 1960s, Prentice’s assitant, Al(den) McWilliams, who was also drawing the Twin Earths strip, decided to stay in the U.S.. Enter another great artist, one with a similar name: Al Williamson, who signed on with Prentice. The two men and their wives headed for Mexico City, where they remained for about a year and a half.

Cori Williamson, Al’s widow, kindly shared some of Al’s “roughs” from 1961 for Rip Kirby Volume Six, which is in stores next week. Below are two examples of Williamson’s original work on vellum and Prentice’s finished inks.



The Town That Time Forgot

One of the eight stories in Rip Kirby Volume 6 is “The Town That Time Forgot,” in which Rip and Desmond discover a town that has stood still since 1899. Its inhabitants have been immune to the vicissitudes of “modern” (in 1961 when this story was published) life. We’re currently working on the book, prepping the art for the printer. The logic of the plot is nonsenseical but it’s great fun. In the late ’50s/early ’60s there was a big fad for anything having to do with Gay ’90s culture and Fred Dickenson and John Prentice’s readers undoubtedly ate up every iconic image of the period. In these dailies, Rip explains to the town members what they can expect in the outside world. To our eyes, in 2013, it’s equally interesting to see the 50-year-old 1960s fashions, as alien to our time as the 1890s “Gibson Girl” look was to the 1961 reader.





Because you asked for it!

Even before the fourth volume of Rip Kirby (that completed Alex Raymond’s brilliant work) hit the bookstores, we started receiving letters from readers who hoped that we’d continue with the incredible art by John Prentice, who picked up the pen and ink duties after Raymond’s death and continued it for decades. Prentice received three Reuben Awards for the series, in 1966, 1967, and 1986.

It’s not often we can precede the announcement of a book with “Because you asked for it!!!” (with the obligatory triple exclamation points, of course!!!), but in this case, we can. Our Rip Kirby series will keep going next summer with Volume Five. Fred Dickenson, who had been writing the strip with Raymond, keeps the continuity going for Prentice’s exquisite art. I’ve created a new cover design for the Prentice years since the four Raymond covers were meant to be a finite set. For those who haven’t seen much of Prentice’s art, the cover and the photo below it, speak for themselves.


Access to these original King Features Syndicate proofs insure that every daily will look even better than when they were first published in newspapers worldwide. Volume Five contains more than three years of strips, every one from October 22, 1956 to December 5, 1959, and sees the return of Rip’s arch enemy, the Mangler.


R.I.P., Rip

We’re both thrilled and saddened that Rip Kirby Volume 4 will be on sale soon. Thrilled because…well, who isn’t thrilled to see more than two-and-a-half years of Alex Raymond art! Saddened because it’s the final volume collecting Raymond’s post-war modernist classic. In the course of producing the series, we borrowed photos from the daughter of Ray Burns, Raymond’s assistant. We didn’t have room for them all in the printed series so offer a couple here as an online bonus—two staged publicity shots of Raymond and Burns listening to the baseball game on the radio.



Raymond’s tragic death in 1956 left his final story unfinished. It was completed by John Prentice, who continued the strip for decades to come. Here’s a sample of Prentice’s work from October 1956.


And because we’re especially proud of our sequential cover designs, here they are—all four together, starting with the titular character all by his lonesome—then joined by one new character per cover.







Gentlemen Prefer Blondes (or Brunettes)

Forget the decades-old question, “Ginger or Mary Ann?” – our reprinting of Alex Raymond’s Rip Kirby has spurred a new matter submitted for consideration. To put it simply:

“Pagan or Honey?”

This deeply philosophical discussion was energized by a reader named Jim Davis, who resides in Maryland Heights, Missouri. He posted was a review of Rip Volume 2 at in which he said, “Pagan Lee has it all over girl next door Honey Dorian, who continues to be a weak point of the strip, in my opinion.”  Jim went on to say he sees Honey as primarily filling the role of deus ex machina, on hand simply to help launch new cases for Rip Kirby to solve.

Jim’s review was thoughtful, balanced, honest, and direct, all qualities I admire. Yet when it comes to the “Honey or Pagan?” question, he and I are on opposite sides of the fence.

Yes, I’ll admit it: I’m a Honey Dorian fan. That said, I’ll confess I wish Raymond and Rip‘s co-writer, Ward Greene, had continued to characterize Honey as she was depicted in the first two storylines (which we reprinted in Volume One under the titles “The Chip Faraday Murder” and “The Hicks Formula”). In those stories Honey is especially spritely and sassy, bringing a unique sparkly to Rip’s somewhat straight-arrow lifestyle. But even as the strip matures and Honey becomes more serious and far less fun-loving, I find myself siding with her over Pagan. Maybe that’s because I’m really big on loyalty and no matter the occasional spats and separations, there’s never really a doubt that Honey is devoted to Rip.

Pagan, by contrast, has already changed allegiances once, throwing over The Mangler for a chance at life on the straight and narrow. Though redemption after sin is nothing to be sneezed at, the vibe I get from Pagan says, “It’s only a matter of time before I cross the line once again and end up either in jail or on the run . . . ”

How fortunate that Raymond and Greene gave us both characters, since they so nicely counter-point one another and they present Rip with the possibility of a conflict of the heart. Conflict is hell on our heroes, but fun for us readers!

“Pagan or Honey?” It’s a matter of preference, of course, with no right or wrong answer. So I send a friendly wave to Jim Davis and all the other Pagan Lee fans out there — I’ll be easy to spot when you return the wave, because I’m in the forefront of the Honey Dorian camp.


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