I know, I know — I said I had something planned for September, so we’d do our second humor-based spin of the LOAC Wheel of Fortune later in the autumn. I weighed the options and decided the idea I had for September would work even better if I held it back until October. That certainly appealed to me, since now I had a clear path to doing our focus on our funniest “funnies” in back-to-back installments. Hoo-hah!
You’ll notice that just before and just after our fiftieth release, we offered two delightful single-volume books, Cartoon Monarch: Otto Soglow and the Little King and that splendid rare find, Chuck Jones: The Dream That Never Was. (I visited the Chuck Jones Gallery during a June visit to San Diego — a highly-recommended destination, if you’re a Jones-booster like me!) I also like to count myself in the forefront of Cliff Sterrett fans, so it’s a grand pleasure that we have offered readers Polly and Her Pals in two beautiful oversized “Champagne Edition” offerings, plus a year’s worth of dailies from 1933 in one of our LOAC Essentials books. Like Blondie, the earliest installments of The Family Circus are something I’m proud we’ve collected and preserved for 21st Century audiences. The humor offerings in our second hundred titles is weighted toward Walt Disney offerings, and notice that as the year has progressed, as Silly Symphonies Volume 4 indicates, our march toward our 200th Library of American Comics book is getting mighty close to that goal. Here’s the list, in order of release:
We continue journeying toward our two hundredth Library of American Comics release with the August spin of the LOAC Wheel of Fortune – but before we give it a whirl, these few (semi-) serious paragraphs on a humorous subgenre –
I noted with interest that we’ve devoted almost twenty-five percent of the total LOAC output to some of the funniest of the funnies – and well over that percentage if you consider “story strips” like The Gumps, Little Orphan Annie, Baron Bean, Bungle Family, and Gasoline Alley to be comedy first and narrative continuity second. (I’ve chosen not to do that, to keep the list of titles under consideration to a manageable amount.) From dailies like 1933’s Polly and Her Pals and Herriman’s Krazy Kats that were published the next year (both collected in LOAC Essentials volumes) to more contemporary series such as Bobby London’s run on Popeye in Thimble Theater, The Library of American Comics has reprinted the crème de la rib-tickling crème. That commitment will continue, as you’ll see in the soon-to-be-released Screwball! book that will have you *plop!*ping with laughter into the nearest comfy chair (at least, we hope that’s where you land — *plop!*ping down onto a hardwood floor can hurt!).
Some of the LOAC parade of comedy also boasts historical significance – think of Dagwood Bumstead’s hunger strike and his eventual wedding to Miss Boopadoop in Blondie, Volume 1 – and some of it has sprung from our agreement with Disney (as you’ve surely noticed, the first word in Silly Symphonies is, well – Silly), but those are extra benefits added to comics designed to provoke smiles, chuckles, and out-and-out guffaws as they brighten up your day.
We have so many humor collections in our backlist, we’ll split it in twain and do two funny-funnies spins of the ol’ LOAC Wheel of Fortune, one this month and the other later in autumn (we have something planned for the September spin that is specifically tied to that month, so stay tuned for that!). Here is our August list of contenders …
Hold on to your sombreros! SILLY SYMPHONIES, VOL. 4: 1942-1945 is coming in July 2019, collecting rare Disney comics featuring fan favorites José Carioca and Panchito Pistoles!
Several years ago we took some time in this space to show you what my LOAC bookshelf looked like. I shelve my books in alphabetical order by author, or by publisher where that makes more sense — for instance, while my William Saroyans are under “S”, my Fantastic Fours are under “M”, with the rest of my Marvel Comics collections. My Library of American Comics titles are therefore under “L,” and then shelved alphabetically in a logical way (well, logical to me, anyway), as you can see:
The Library of American Comics marked its tenth year of publication this summer, and using this milestone as a launching point, 2017 was the year LOAC took the comics world by storm. The familiar “word balloon” logo was emblazoned on a wide range of products including t-shirts, coffee mugs, towels, baseball caps, and even lace doilies to drape over the back of sofas or love-seats. There were the LOAC events at major conventions on both coasts. The article on us (with the biographical sidebar about Dean) in that July issue of Entertainment Weekly. And how about …
Wait. None of that really occurred. Sorry — sorry!
Instead, what happened during 2017 was that LOAC continued its mission to collect a wide range of entertaining and significant newspaper comics in permanent hardcover editions, helping to preserve the “strips” portion of comics, one of the handful of truly native American artforms.
Welcome to the very first episode of the Library of American Comics & EuroComics Podcast, hosted by Dean Mullaney and Kurtis Findlay!
In this episode, Dean and Kurtis discuss Disney’s Christmas Classics, Silly Symphonies Vol. 3, and The Man from the Great North. Plus, get to know LOAC Associate Editor Bruce Canwell!