Continuing our review of the first two hundred LOAC books, which began here, take a look at our fifty-first to one hundredth releases …
We continue journeying toward our two hundredth Library of American Comics release with the August spin of the LOAC Wheel of Fortune – but before we give it a whirl, these few (semi-) serious paragraphs on a humorous subgenre –
I noted with interest that we’ve devoted almost twenty-five percent of the total LOAC output to some of the funniest of the funnies – and well over that percentage if you consider “story strips” like The Gumps, Little Orphan Annie, Baron Bean, Bungle Family, and Gasoline Alley to be comedy first and narrative continuity second. (I’ve chosen not to do that, to keep the list of titles under consideration to a manageable amount.) From dailies like 1933’s Polly and Her Pals and Herriman’s Krazy Kats that were published the next year (both collected in LOAC Essentials volumes) to more contemporary series such as Bobby London’s run on Popeye in Thimble Theater, The Library of American Comics has reprinted the crème de la rib-tickling crème. That commitment will continue, as you’ll see in the soon-to-be-released Screwball! book that will have you *plop!*ping with laughter into the nearest comfy chair (at least, we hope that’s where you land — *plop!*ping down onto a hardwood floor can hurt!).
Some of the LOAC parade of comedy also boasts historical significance – think of Dagwood Bumstead’s hunger strike and his eventual wedding to Miss Boopadoop in Blondie, Volume 1 – and some of it has sprung from our agreement with Disney (as you’ve surely noticed, the first word in Silly Symphonies is, well – Silly), but those are extra benefits added to comics designed to provoke smiles, chuckles, and out-and-out guffaws as they brighten up your day.
We have so many humor collections in our backlist, we’ll split it in twain and do two funny-funnies spins of the ol’ LOAC Wheel of Fortune, one this month and the other later in autumn (we have something planned for the September spin that is specifically tied to that month, so stay tuned for that!). Here is our August list of contenders …
Early in each new year we look back at the prior twelve months in LOAC-Land. It provides our readers with a handy one-stop checklist of our most recent books — and it helps remind us of what we were up to all those months ago!
As we tallied 2018’s Library of American Comics output, we were surprised to see we had both begun and ended the year with a book of never-before-repeated Steve Canyon comics. We kicked off January, 2018 with the release of Volume 8 …
Dean Mullaney and Kurtis Findlay are back with another episode of the Library of American Comics & EuroComics Podcast!
In this episode, Dean and Kurtis discuss Skippy, Vol. 4, Treasury of Classic Tales, Vol. 3, and The Reprieve. Plus, animation historian Michael Barrier tells us about some of his favorite stories from Walt Disney’s Treasury of Classic Tales!
Several years ago we took some time in this space to show you what my LOAC bookshelf looked like. I shelve my books in alphabetical order by author, or by publisher where that makes more sense — for instance, while my William Saroyans are under “S”, my Fantastic Fours are under “M”, with the rest of my Marvel Comics collections. My Library of American Comics titles are therefore under “L,” and then shelved alphabetically in a logical way (well, logical to me, anyway), as you can see:
Comics creators sometimes gave nods to the calendar in their ongoing newspaper strips. Year-in and year-out, many comics did special installments of their features to commemorate Christmas and, a week later, the farewell to the old year and the welcoming of its successor. Comics with a strong streak of patriotism saluted holidays like Independence Day, Armed Forces Day, and for a time, V-E and V-J Days.
But Groundhog Day? Fuhgedaboudit. The comics trade showed no love to that special early February day when millions of hearty northerners, fatigued by battling weeks of the subzero cold, ice, and snow that Ole Man Winter loves to dish out, looked to the humble groundhog for a sign that spring might soon be on its way. An event that has its roots in the 19th Century and is worthy of being marked on each year’s new calendars never seemed to excite the cartoonists who offered readers their daily dose of excitement and humor.
What did comic strips offer their audiences on that day when the woodchuck was acclaimed for something other than chucking wood? We thought you’d never ask — so, just for you, we prepared this fantasy comics page from February 2, 1935 …
— You get a piece like this one, in which we answer the often-asked question, “What’s ahead for LOAC in the months to come?”
Firstuvall, we got your space opera right here! As 2017 unfolds you’ll see us wrap up our UK Star Trek comics and release the middle volumes in both our Star Wars and Star Hawks trilogies. To whet your appetite for the exploits of Rex, Sniffer, Alice K., and Chavez, here’s an April 1979 beauty, done in Gil Kane’s inimitable style:
ZAM!, indeed …
Old friends will continue to make fresh appearances — Little Orphan Annie, Dick Tracy, and also our fourth Skippy book! This endearing kids-strip is always a delight, and Jared Gardner’s insights into the increasingly-troubled life of cartoonist Percy Crosby is compelling reading, an important addition to our understanding of comics history.
One of our old friends will offer something extra-special to readers — our upcoming Li’l Abner Volume 9 will provide a handful of strips that have never before been reprinted in continuity! What the dickens does THAT mean, you ask? Well, sharp-eyed readers of the Kitchen Sink Press Abner reprints from the 1980s/90s may remember there was a gap in the continuous run of strips between KSP Volumes 17 and 18 — the 1951 strips reprinted in Vol 17 ended on December 29th, with Fearless Fosdick still at the mercy of the “Atom Bum”. Vol 18 opened in Dogpatch with the January 21, 1952 daily, focusing on Abner and his brand-new chemistry set. What happened to the dailies in between? What was the fate of the Atom Bum? Here’s a snippet from one of the missing strips that makes it look bad for America’s ideel …
We asked Denis Kitchen about the missing strips and he reported that a layout problem in Volume 18 caused the dailies in question to be unintentionally dropped (and KSP had reprinted the full story of the Atom Bum in the first of their two Fearless Fosdick collections, published in 1990). Denis is always an invaluable part of our Li’l Abner team and he’s as happy as we are to see these strips being reprinted in continuity for the very first time. And oh, by the way, the other strips in our Abner Volume 9 are also literally History-Making — the mystery of Nancy O wraps up in 1951, and a major event in 1952 made the prestigious cover of Life magazine!
We have more than old friends to offer — as we recently discussed, we’ll also be welcoming Lynn Johnston’s exceptional For Better of For Worse to the LOAC line of books.
We’ll have more Disney comics for you to enjoy (don’t quack up — more Donald Duck Sundays are coming soon!), and Superman will be wrapping up the 1950s in a colorful collection of Sunday pages. Meanwhile, our next LOAC Essentials will showcase a strip we’ve used in a past “fantasy day comics page” or two (so you can use our “Search” feature to do a little research and start guessing …). This feature is one of my very favorites, but I won’t be writing the Introduction to the book, because we’ve lined up someone who may love this work even more than I do!
Of course, I will be writing the essay for Steve Canyon Volume 8 as we take Stevenson B.’s adventures deeper into the years of the Kennedy Administration. Here’s a sneak-peek at Milton Caniff’s Christmas thought for his audience, circa 1962:
Bottom line: what’s coming from The Library of American Comics in the months ahead? Loads of adventure and comedy — stories ranging from the Dogpatch hills to the depths of the Barnum Star System — and work by award-winning talents spanning the 1940s through 1970s. If you agree that’s a nice lineup, please join us for those books you’re sure to enjoy!
We sometimes have more artwork and photos than we can squeeze into the text features of our books. We’re just putting a wrap on Steve Canyon Volume 7, for example, and we have such an abundance of 1959-60 riches related to Milton Caniff and his creation that we’ll likely do a feature in this space showcasing some of the artifacts that didn’t make the cut as the book gets closer to its on-sale date.
Sifting through the files I’ve amassed related to a couple other recent books, I saw some newspaper promotional ads that we didn’t use. Here’s a “Kigmy”-related ad supporting Li’l Abner, circa 1949:
And from that same year, an ad that does double duty, both as a promotion for Abner and as a contest pushing Proctor & Gamble products:
I’m also partial to this 1933 ad for Tim Tyler’s Luck that we found while preparing our jumbo-sized LOAC Essentials/King Features Essentials Volume 2 devoted to Alex Raymond’s brief-but-memorable stint on that series.
Seeing those items, and given my own soft spot for this type of material, I thought I’d sift through a batch of newspapers and see what other comic strip promotional ads I could find. The earliest one I located was from the year of the stock market crash, 1929, and is hyping Percy Crosby’s delightful and influential kids strip, Skippy:
Fans of Gasoline Alley (myself included) may get a kick out of this 1930 advertisement, suggesting readers send in their summertime addresses and get the Pittsburgh Post-Gazette delivered while on vacation in order to stay current with events in the Wallet household:
And I was delighted to find this 1934 ad from the Asheville, North Carolina Citizen as the paper prepared to bring Little Orphan Annie into its lineup of daily comics. The ad symbolically reminds readers how “Daddy” Warbucks’s red-haired charge typically ends up in hot water :
Not every ad was as elaborate as the Annie, of course. In 1940, when this ad promoting the Golden Age Superman was appearing in client newspapers across America, The Man of Tomorrow was scarcely two years old. How many readers in 1940 could have imagined the strange visitor from planet Krypton would still be entertaining millions, more than seventy-five years after this modest advertisement saw print?
The sophistication and graceful action shown in this 1952 ad for Rip Kirby strikes me as resonating very closely with what Alex Raymond was presenting on the comics page as he chronicled the adventures of the ’50’s first modern detective:
One of the strips I always enjoyed as a youngster was Andy Capp. I liked the “Englishness” of his world, its rough-and-tumble nature, and I’m heartened that Andy has successfully continued his visits to the local more than a decade after his creator’s death (Reg Smythe passed away in 1998). The copy in this 1967 ad from the Pittsburgh Press certainly reflects the tenor of those “Swingin’ Sixties” times, doesn’t it?
Finally, here’s a March, 1971 ad for Doonesbury, only five months into its existence. It serves as a reminder of how the art style, themes, and characters in this sprawling, sometimes controversial, sometimes powerful, always-worth-reading strip have changed!
Keep watching this space, because we’ll be back soon with, as the Monty Python troupe used to say, “something completely different” …