Archive | Steve Canyon

Barry One, Pearl Two

A few months ago in this space I showed you some photos of our LOAC books, arrayed on my bookshelves — you can see it here, if you’d like a refresher.

More recently, we received some impressive bookshelf photos from another comics historian, the estimable Barry Pearl. Check out this first of five shots of Mr. Pearl’s amassed comics collections and be prepared, like me, to resist the urge to whistle in appreciation …

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Episode 008 with special guest Jeff Kersten

Dean Mullaney is on vacation so LOAC Associate Editor Bruce Canwell joins Kurtis Findlay for another episode of the Library of American Comics & EuroComics Podcast!

In this episode, Bruce and Kurtis talk about Jerome K. Jerome Bloche, Vol. 2: The Paper People as well as upcoming projects like Amazing Spider-Man, Vol. 5 and Steve Canyon, Vol. 9. Plus, Dick Tracy enthusiast and historian Jeff Kersten discusses the political subtext found between the panels of Dick Tracy and what we can expect in vol. 23 and 24!

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Buongiorno from Bologna!

Here’s LOAC Art Director Lorraine Turner with Francesco Meo of the Italian comics publisher Cosmo Editoriale. We had lunch with Francesco today in Bologna, renewing the friendship we established at Angoulême last year. Newspaper strips fans will be glad to know that Francesco is publishing Italian editions of Terry and the Pirates, Steve Canyon, Dick Tracy, Russ Manning’s Tarzan, Flash Gordon, Rip Kirby, as well as other “A” list strips!

Back to the Shelves

Several years ago we took some time in this space to show you what my LOAC bookshelf looked like. I shelve my books in alphabetical order by author, or by publisher where that makes more sense — for instance, while my William Saroyans are under “S”, my Fantastic Fours are under “M”, with the rest of my Marvel Comics collections. My Library of American Comics titles are therefore under “L,” and then shelved alphabetically in a logical way (well, logical to me, anyway), as you can see:

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Steve Canyon: Still Swinging in the Sixties!

One of the key points I raised in my text feature for Steve Canyon Volume 8 was that Milton Caniff’s picaresque adventure strip was still a hot property as the Sixties began to unfold. The perceived “Communist threat” was a very real part of life during that period, and the nuclear specter hung heavily over citizens of many countries (having spent my single-digit childhood years in the ’60s, I clearly remember the bi-level department store in my hometown, with both ground-level and basement shopping, and how the stairwells leading down to the basement prominently displayed “Fallout Shelter” decals). We too often try to examine the works of the past from a modern-day sensibility, ignoring a simple but accurate truth: It Was a Different World Back Then. (And our society couldn’t have arrived where it is today without our grandparents, parents, and some of us living through the way it was then … but that’s a thought for another day and another forum).

While doing some advance work for Canyon Volume 9 — which will feature more never-before-reprinted stories, this time from the years 1963-64 — the power of the feature to serve as a “draw” was once again brought home to me as I saw the plethora of advertisements and promotions for the series that ran in various client newspapers. Here’s a small cross-section of them, sure to whet the appetite of any Caniffite:

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Episode 004 with special guest Caitlin McGurk

Dean Mullaney and Kurtis Findlay are back with another episode of the Library of American Comics & EuroComics Podcast!

In this episode, Dean and Kurtis discuss Steve Canyon Vol. 8, Star Wars Vol. 2 and Corto Maltese: Golden House of Samarkand. Plus, learn about Edwina Dumm, “Cap” Stubbs and Tippie, with Billy Ireland Cartoon Library and Museum Associate Curator Caitlin McGurk!

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Dog Days & Original Art: Canwell’s 2018 Twin Teases

Here’s hoping this still-New-Year is off to a fine start for our readers and all the visitors to this space! It’s been a mighty frosty start to 2018 here in New England (as it was in many parts of the country), where we tied the meteorological record for twelve consecutive days where the high temperature never topped twenty degrees. It’s been so cold in the greater Boston area that my intrepid dog, Gypsy, has consented to wearing the sweater my wife bought for her on December 29th (something I never thought she would do) —

Despite the wintry chill in my area, I’m working on a variety of LOAC projects that promise to make 2018 a hot year indeed! Let me offer you a tiny peek at what you’ll be seeing under our logo in the weeks and months ahead.

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2017: The LOAC Year in Review

The Library of American Comics marked its tenth year of publication this summer, and using this milestone as a launching point, 2017 was the year LOAC took the comics world by storm. The familiar “word balloon” logo was emblazoned on a wide range of products including t-shirts, coffee mugs, towels, baseball caps, and even lace doilies to drape over the back of sofas or love-seats. There were the LOAC events at major conventions on both coasts. The article on us (with the biographical sidebar about Dean) in that July issue of Entertainment Weekly. And how about …

Wait. None of that really occurred. Sorry — sorry!

Instead, what happened during 2017 was that LOAC continued its mission to collect a wide range of entertaining and significant newspaper comics in permanent hardcover editions, helping to preserve the “strips” portion of comics, one of the handful of truly native American artforms.

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