Archive | Terry and the Pirates

Rest Easy, Soldier

It is with great sadness that we mark the passing of Harry Grant Guyton, nephew of Milton and Esther (“Bunny”) Caniff, at age 94.

Harry was the executor of the Caniff Estate and did so much to make both the Steve Canyon comic strips and the short-lived TV series available for modern-day audiences. He was also a tremendous raconteur, and this seems a fine time to share with you a couple stories Harry shared with us during an interview a few years ago:

“Bunny always had Milton on a diet. You know, carrots, celery, what have you.” Harry said. “When he lived in Palm Springs, there was the main house and he had the studio down there, and so we would stay in the studio [when we visited]. And you know, he drew all the time. He had his board and everything in the studio. Well, we would leave him crackers, cookies, cake, and what have you, and in the morning we’d get a note — ‘Thank you, thank you.’ Because, boy, Bunn kept him on a pretty strict diet!”

Another story, from two decades before the Caniffs’ days in Palm Springs, indicates how times have changed (and security has tightened!) since the mid-1950s: “When I was at Fort Eustis, Virginia, I received an invitation to attend the National Cartoonist Society’s breakfast with President Eisenhower and Secretary of the Treasury Humphreys. I was flown to DC in a Major General’s plane and sat at a table with Otto Soglow, creator of The Little King, and five other people. Soglow was a real prankster, and he told me he was going to pretend he had a gun, and said I was to see which one at our table was the Secret Service guy. I said , ‘No, thanks!'”

Dean and I enjoyed every conversation we had with Harry; he was a great help to us with both our Terry and the Pirates and especially our Steve Canyon projects. His love for Milton and Bunny was clear whenever he spoke of them, and he has been an able steward of both Canyon as a property and of Milt’s legacy as a whole.

We’ll refer you to this 2014 posting for more on Harry, including a fine portrait of him rendered by his uncle, the Rembrandt of the Comics.

 

Ad-dicting & En-LIFE-ening

We continue our look at comics-related ads that appeared in Life Magazine, previously begun here. This time, just for fun, we’ll go in reverse-chronological order and start at the tag-end of the 1950s. I was but a wee bairn of two months and twenty-five days old (and Stevenson B. Canyon was once again crossing paths and trading barbs with “The Copperhead,” Copper Calhoon) when this ad for Teacher’s Scotch, starring the one-and-only Milton Caniff, appeared in Life‘s October 12, 1959 issue:

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Ad-ing LIFE to the Comics

In various LOAC books we’ve shown (and discussed) examples of the intersection between comics and the world of advertising, yet it’s not a topic we’ve lingered over in this space. I decided to change that just a bit recently, when going through the contents of a bunch of Life Magazines. (One of the perks of this job is being able to sift through old magazines and newspapers, to get a look at — or in some cases, remember — The Way It Used to Be.) These Lifes had a variety of comics-based advertisements, so I snagged a batch of them to share with you.

The earliest Life ad I found with a comics connection was in the magazine’s April 15, 1940 issue. I knew Bud Fisher’s Mutt and Jeff were popular, but until I saw this I had no idea they were experts on digestive difficulties …

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Episode 013 with special guest Don McGregor

Dean Mullaney and Kurtis Findlay are back for another episode of the Library of American Comics & EuroComics Podcast!

In this special episode, Dean and Kurtis invite Don McGregor to talk about this favorite classic comic strips, including Terry and the Pirates, Steve Canyon and Dick Tracy!

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LOAC Road to 200 #1-5

By the end of 2019, The Library of American Comics will have 200 books under its belt! If you have been following us on social media, we have started a retrospective of all 200 of our books, starting with our premiere effort—Terry and the Pirates, Vol. 1.  Every day or so, we will post a new image online, but we will also be collecting them here in small installments.

I could think of no better strip to launch the Library of American Comics than Milton Caniff’s masterpiece. Terry is the most influential strip in the history of the medium and, needless to say, my personal favorite. And to win the Eisner Award for our first release — it doesn’t really get any better than that! —Dean

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Six Decades of Christmas in the Comics

We could think of no better way to wish all our readers Happy Holidays than to share the Christmas offerings from a half-dozen strips, each representing a decade of newspaper comics.

 

Leading off, from the tag-end of 1939, our favorite of favorites, Terry and the Pirates, with this Yuletide entry from the story in which Pat, April, and Captain Blaze first meet Singh-Singh.

Representing the 1940s, from 1948, Little Orphan Annie spends yet another Christmas away from her beloved “Daddy.”

And the young married Yokums get the hint of bad news, as only Al Capp can deliver it, in this December 25th 1952 installment of Li’l Abner:

A run of Christmas strips wouldn’t be complete without visiting the Peanuts gang. Here’s everyone’s favorite beagle, in a wryly charming 1962 outing from Sparky Schulz:

Here’s a more acerbic take on the season from Johnny Hart in this 1973 B.C. daily:

And we close in the 1980s, with one of our more contemporary favorites: here’s Lynn Johnston, clucking up a storm in For Better or For Worse from Christmas Day, 1985:

And if these strips alone don’t put you in the holiday mood, we’ll close with this old favorite from postings past, brought back by popular demand:

Best wishes, one and all, ’til we meet again in 2019!

 

–Dean, Lorraine, Kurtis, and Bruce

Barry One, Pearl Two

A few months ago in this space I showed you some photos of our LOAC books, arrayed on my bookshelves — you can see it here, if you’d like a refresher.

More recently, we received some impressive bookshelf photos from another comics historian, the estimable Barry Pearl. Check out this first of five shots of Mr. Pearl’s amassed comics collections and be prepared, like me, to resist the urge to whistle in appreciation …

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Buongiorno from Bologna!

Here’s LOAC Art Director Lorraine Turner with Francesco Meo of the Italian comics publisher Cosmo Editoriale. We had lunch with Francesco today in Bologna, renewing the friendship we established at Angoulême last year. Newspaper strips fans will be glad to know that Francesco is publishing Italian editions of Terry and the Pirates, Steve Canyon, Dick Tracy, Russ Manning’s Tarzan, Flash Gordon, Rip Kirby, as well as other “A” list strips!

Back to the Shelves

Several years ago we took some time in this space to show you what my LOAC bookshelf looked like. I shelve my books in alphabetical order by author, or by publisher where that makes more sense — for instance, while my William Saroyans are under “S”, my Fantastic Fours are under “M”, with the rest of my Marvel Comics collections. My Library of American Comics titles are therefore under “L,” and then shelved alphabetically in a logical way (well, logical to me, anyway), as you can see:

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