Master of the Motherload in Michigan


I’ve known Randy Scott and been familiar with Michigan State University’s Comic Art Collection since the late 1970s. I recently found a carbon copy (remember those?) of the letter I sent him in 1978 that accompanied a copy of Sabre by Don McGregor and Paul Gulacy, the inaugural book from my publishing company, Eclipse Comics. Sabre was the first graphic novel ever published for the comics specialty market, and at a time when graphic novels and comics were considered trash by most universities, I thought it pretty impressive that at least one Big Time College Library would collect what I published!


MSU then became the home for the complete files of Eclipse Comics, from beginning to end. It’s turned out to be a useful resource. For example, when Blake Bell was writing his excellent bookon Steve Ditko, I was able to offer him nearly 100 pages of original research we did at Eclipse in the 1980s, including notes from an interview with Ditko’s brother.

Randy and I were also early members of APA-I. What’s that, you ask? Basically, a bunch of comics nuts producing indexes to different series, writers, and artists. Three other early APA-I members went on to form the Grand Comics Database.



So here we are, thirty years later — Randy is STILL the comics maven at Michigan State University, while I’m preserving and restoring classic comics as founder of The Library of American Comics. Many of our releases boast indexes by…you guessed it, Randy Scott.


Randy shows Lorraine Turner and me some of the hard-to-find European comics he’s brought home from a recent buying trip..

stacksStacks of fun!

bandroomRandy and fellow librarians on campus use his office for their weekly jazz improvs.


Some uncatalogued tearsheets from the King Features collection.

On our recent research trip to East Lansing, the home of MSU’s Special Collections Library, Lorraine Turner and I barely scratched the surface of the several hundred thousand (yes, several hundred thousand!) comics, graphic novels, and books about comics in the stacks. We were concentrating our research on—among other subjects—Alex Raymond’s syndicate proofs forFlash Gordon and Jungle Jim; the cartoonists Otto Soglow, creator of The Little King; Frank Robbins, creator of Johnny Hazard; and Jimmy Hatlo, of They’ll Do It Every Time and Little Iodinefame…

…and to look through my old Eclipse files relating to Alex Toth. Our forthcoming book—Genius, Isolated: The Life and Art of Alex Toth—will be richer because the Eclipse files containing correspondence and stats of original artwork have been preserved and catalogued at Michigan State University.


Here’s Alex’s note to me expressing uncertainly over who drew this page originally published by Standard Comics. In the 1980s at Eclipse, I reprinted six issues worth of Standard stories in a series entitled Seduction of the Innocent. Alex’s comment that “you won’t have to pay any of us old crocks” refers to my policy of paying reprint rates to artists or their heirs, regardless of the fact that the comics were in the public domain. It’s a policy I maintain today: Alex’s family is sharing in royalties on our Genius books. It’s a policy we encourage other publishers to adopt.

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So here’s a “Hear, Hear” for my old pal Randy Scott, Comic Art Bibliographer, Indexing Guru, and (with his wife Lynn) the best host north of Columbus, Ohio, and south of Cadillac, Michigan.

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