Sometimes we receive more artwork than we can comfortably fit into our books and are forced to offer only a representative sampling from a given period in an artist’s career. That was the case with Scorchy Smith and The Art of Noel Sickles – though readers and reviewers told us we provided enough treasures so they didn’t exactly feel short-changed!
Still, while sifting through one of my file cabinets earlier this month, I happened to find a batch of spot drawings Sickles did as part of his first regular paying gig as a cartoonist. In 1925, while in his mid-teens, Sickles created artwork for the Mead Co-operation, the house organ for the Mead Corporation’s paper plant in his native Chillicothe, Ohio. In Scorchy we ran examples of “Bud’s” regular features for the newsletter – “Bud’s Meaco Comics” and “What’s Wrong?”. Here are a half-dozen non-series, standalone drawings Sickles produced for the Co-operation. First up, from February of 1925 – the first known Sickles illustration for Mead, a comedic rendering of one of the company’s employees who was a radio buff in his off-hours:
In April, Sickles produced the “Bet Your Money on Mead” cartoon to illustrate an article chronicling the safety competition being staged between Mead and another area manufacturer. He also did a small illo to accompany an article about an employee’s victory in the local pool hall, and the comedic consequences of his win.
Humorous anecdotes about Mead employees were a standing feature in the Co-operation – it was easier for people to laugh at themselves in the ’20s than it is today. May saw Sickles generating chuckles about a first-class auto aficionado.
Workplace safety was a key theme in Bud’s cartoons for Mead. This “split screen” piece conveys that message as it illustrates two possible meanings of the same phrase. One wonders if Sickles realized both the Mead worker and the barber need to exercise caution on their respective jobs?The end of the year brought both the holidays and rabbit hunting season to Ohio. The Sickles “panoramic bird’s-eye view” cartoon below pokes fun at Chillicothe’s seemingly-plentiful supply of Elmer Fudds . . .
Looking at these very early Sickles pieces, one sees little sign of the skilled artist who would revolutionize comics storytelling in Scorchy Smith, create such spectacular illustrations as “The Old Man’s Bride” or the “Crete Invasion” series, and finish his career by producing a series of wonderful Western paintings. Still, they remind us of three truths: Everyone has to start somewhere.  We learn by doing.  Stay true to your dreams and mastery and success are likely to come your way…