Tag Archives | Alex Toth

Episode 009 with special guest Lorraine Turner

Dean Mullaney and Kurtis Findlay are back for another episode of the Library of American Comics & EuroComics Podcast!

In this episode, Dean and Kurtis talk about The Silence of Malka and For Better or For Worse, Vol. 2! Plus, Lorraine Turner returns to the show and she and Dean share stories from their recent trip to Italy! And if that isn’t enough: San Diego Comic-Con panel and signing info! The fate of Red Barry! Info about a new Alex Toth book! And a tease about an upcoming volume of LOAC Essentials!

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Master of the Motherload in Michigan


I’ve known Randy Scott and been familiar with Michigan State University’s Comic Art Collection since the late 1970s. I recently found a carbon copy (remember those?) of the letter I sent him in 1978 that accompanied a copy of Sabre by Don McGregor and Paul Gulacy, the inaugural book from my publishing company, Eclipse Comics. Sabre was the first graphic novel ever published for the comics specialty market, and at a time when graphic novels and comics were considered trash by most universities, I thought it pretty impressive that at least one Big Time College Library would collect what I published!


MSU then became the home for the complete files of Eclipse Comics, from beginning to end. It’s turned out to be a useful resource. For example, when Blake Bell was writing his excellent bookon Steve Ditko, I was able to offer him nearly 100 pages of original research we did at Eclipse in the 1980s, including notes from an interview with Ditko’s brother.

Randy and I were also early members of APA-I. What’s that, you ask? Basically, a bunch of comics nuts producing indexes to different series, writers, and artists. Three other early APA-I members went on to form the Grand Comics Database.



So here we are, thirty years later — Randy is STILL the comics maven at Michigan State University, while I’m preserving and restoring classic comics as founder of The Library of American Comics. Many of our releases boast indexes by…you guessed it, Randy Scott.


Randy shows Lorraine Turner and me some of the hard-to-find European comics he’s brought home from a recent buying trip..

stacksStacks of fun!

bandroomRandy and fellow librarians on campus use his office for their weekly jazz improvs.


Some uncatalogued tearsheets from the King Features collection.

On our recent research trip to East Lansing, the home of MSU’s Special Collections Library, Lorraine Turner and I barely scratched the surface of the several hundred thousand (yes, several hundred thousand!) comics, graphic novels, and books about comics in the stacks. We were concentrating our research on—among other subjects—Alex Raymond’s syndicate proofs forFlash Gordon and Jungle Jim; the cartoonists Otto Soglow, creator of The Little King; Frank Robbins, creator of Johnny Hazard; and Jimmy Hatlo, of They’ll Do It Every Time and Little Iodinefame…

…and to look through my old Eclipse files relating to Alex Toth. Our forthcoming book—Genius, Isolated: The Life and Art of Alex Toth—will be richer because the Eclipse files containing correspondence and stats of original artwork have been preserved and catalogued at Michigan State University.


Here’s Alex’s note to me expressing uncertainly over who drew this page originally published by Standard Comics. In the 1980s at Eclipse, I reprinted six issues worth of Standard stories in a series entitled Seduction of the Innocent. Alex’s comment that “you won’t have to pay any of us old crocks” refers to my policy of paying reprint rates to artists or their heirs, regardless of the fact that the comics were in the public domain. It’s a policy I maintain today: Alex’s family is sharing in royalties on our Genius books. It’s a policy we encourage other publishers to adopt.

* * * * *

So here’s a “Hear, Hear” for my old pal Randy Scott, Comic Art Bibliographer, Indexing Guru, and (with his wife Lynn) the best host north of Columbus, Ohio, and south of Cadillac, Michigan.

ALEX TOTH: Genius, Genius, Genius

Alex Toth is revered as one of the greatest of all comics artists. Others laud his pioneering work in animation, including his groundbreaking designs for Space Ghost and The Herculoids. His work influenced countless professionals in both fields. His biography and talents proved too big to be contained in a single volume. Therefore, we’re releasing the much-anticipated Genius, Isolated: The Life and Art of Alex Toth in March 2011 as the first in a three-book set that will be the definitive statement on the restless genius and timeless legacy of Alex Toth.


Created by the Eisner Award-winning team of Dean Mullaney and Bruce Canwell—who produced the ground-breaking Scorchy Smith and the Art of Noel SicklesGenius, Isolated is a lavishly illustrated book that includes the first biography of this giant figure. The book has been compiled with complete access to the family archives, and with the full cooperation of Toth’s children.


Alex Toth in a playful mood in 2005 with Dana (his eldest daughter) and Eric (his eldest son).


Associate Art Director Lorraine Turner and I met with Dana and Eric last week to discuss the expansive plans for the three-book set. To say that we’re all excited with the larger scope of the project is an understatement!

In addition to art and photographs from the family, Toth fans and friends throughout the world have loaned original artwork reproduced in the entire series. Included are many examples of Alex’s art, from complete stories to rare pages, as well as —incredibly—a previously unknown, unfinished, and unpublished penciled story from the early 1950s! The tome covers his earliest stories at DC in the 1940s, his defining work at Standard and his incomparable Zorro comics in the 1950s, and a special section collects—for the first time—the complete Jon Fury pages that Toth produced while in the army, a section that alone is worth the price of admission.


Alex Toth was more than a unique and influential artist. He was a keenly insightful philosopher about comics, cartooning, and animation—with opinions on how they are created as opposed to how he felt they should be created. He wasn’t shy about expressing those thoughts, whether in sometimes-scathing personal letters, essays for publication, or letters to the editor. To flesh out the complete story of his life and art, Mullaney and Canwell have spent more than a year conducting wide-ranging interviews with dozens of Toth’s peers, friends, and family members. With a special introduction by Mark Chiarello, Genius, Isolated is the beginning of a comics biography everyone will be talking about for years to come.

Genius, Isolated details his life story and work through the early 1960s, when he began his sensational move into animated cartoons. The second book in the series, Genius, Illustrated, picks up the story as Toth becomes one of the leading character designers in television animation—continues through his renewed career in comics with Warren, DC, and his creator-owned properties of the 1970s and beyond—and includes an examination of the artist’s poignant final years.

The third book, Genius, Animated, is a wide-ranging art book reproducing hundreds of Toth’s model sheets and storyboards for such successful cartoons as Space Ghost and Dino Boy, Jonny Quest, Space Angel, Super Friends, The Fantastic Four, Hot Wheels, Thundarr, and Shazzan…and also includes many full-color presentation pieces designed to sell new series to the networks.



A slipcase for the three-book set will be available with the third book.

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