Tag Archives | Aroo

A Few of My Favorite Things (Part I of II)

After several years and well over a hundred releases, I sometimes get asked about my favorite stories from the LOAC family of books. Sometimes the question is just that straightforward — “Which ones do you like best?” — and sometimes I provide that answer within the context of a larger inquiry, something along the lines of, “What stories would you recommend to get a new reader hooked on classic comic strips?”

Of course, there are certain stories that belong in the Comic Strip Hall Of Fame — “The Death of Raven Sherman” from Terry and the Pirates, for example, or Dick Tracy’s encounters with The Brow or Flattop. And certainly our friendly competitors have released their share of Must-Read sequences in several of their fine series. But I have other, perhaps less obvious favorites, and this seemed like a good time to share ten of them with you. In no particular order, here are the first five that have burned a warm place in my comics-fannish heart:

10. Scorchy Smith in Northern Africa. Our big Noel Sickles retrospective/Scorchy Smith reprint remains one of my very favorite books. I like to think we brought well-deserved new attention to the major and important talent that was “Bud” Sickles, and the wealth of artwork we were privileged to see and publish (more of the former than the latter!) was a rare treat. Thanks to this book, Sickles’s virtuoso efforts on Scorchy are now also preserved for future generations to savor, and while there are several delightful moments throughout the run, I’m especially partial to the 1936 sequence that sees “Scorcher,” his sidekick Heinie Himmelstoss, and their charge/employer Mickey LaFarge touring Northern Africa and the Middle East. In this lovely strip from March 25, 1936, set in Algiers, Mickey’s foreboding is well-founded, since she and her aviator pals will soon run afoul of the evil Ali Hamman in the Syrian desert …

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9. The King Aroo Seal of Approval. Something else within the LOAC oeuvre I’m especially proud of is our two-volume set of King Aroo. I’ve loved Jack Kent’s winsome style and smart, snappy writing since my first encounter with the King and his Myopean subjects in the Nemo magazines of the 1980s; it was both a delight and an honor to offer over ten thousand words of biography devoted to the man, and to help get hundreds of his King Aroo comics back into print (I’ve also been fortunate enough to acquire an Aroo original from 1960, which proudly hangs on a wall in my home!). There are many, many King Aroo sequences I’d eagerly point to as a favorite, a big grin on my face as I do so, but I have special fondness for the October-to-December, 1951 storyline in which Professor Yorgle drinks Wanda Witch’s magic potions by mistake and turns into a seal. Great sight gags ensue, series regulars serve up all variety of amusing reactions to the change in their friend, and new characters are introduced such as “Rube,” the flea who is now a theatrical agent. Rube has all the contacts Professor Yorgle needs once he decides to embark on a new career — as a trained circus seal! King Aroo is a singular accomplishment within the comics firmament, and I can’t give this storyline, and the strip in its entirety, enough praise.

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8. The Rocky Road to Motherhood. Within the past year mainstream and comics media have reported on Marvel Comics’s decision to feature first a pregnant Spider-Woman, then that character as a new mother. Taking nothing away from this turn of events (how many mothers get whisked off Earth by the Skrulls, after all?), yet let’s not forget that Marla Drake, AKA Miss Fury, was a superhero who became a parent about seven decades before Marvel’s Jessica Drew gave birth. Yes, Marla went the adoption route, but that still put her ahead of heroes like Bruce Wayne, who was content simply to serve as guardian to his youthful ward, Dick Grayson. This Sunday page from February, 1945 is an excerpt from the story that puts Marla on the path to adopting a young son. The diabolical Doctor Diman has perfected an acid as clear as water, but capable of destroying every trace of the organic matter it touches. At least, he thinks it is — it’s passed all the preliminaries and is now ready to be tested on a human subject — in this case, a curly-headed toddler in the doctor’s care. Miss Fury intervenes and saves the boy from an horrific fate. Shortly afterward, she adopts the lad as her son, Darron Drake, never suspecting the boy’s mother is one of her greatest enemies, and his father is the man she once almost married! Cartoonist Tarpe Mills’s unique mix of intrigue, soap opera emotion, high fashion, and derring-do make this Miss Fury escapade a fun and frothy reading experience!

MISS FURY

7. Li’l Abner‘s Attacks on Ham Fisher. This is a selection from Li’l Abner Volume 8, on sale soon and a book I personally feel no serious comic-strip collector can do without. In it we take a long look at the Al (Abner) Capp/Ham (Joe Palooka) Fisher Feud and the Sunday continuities in its pages feature a pair of stories, spanning three consecutive months, in which Capp went for his nemesis’s jugular. The longer of the two plots involves Sam the centaur, a horse race, and an old plug named “Ham’s Nose Bob” — which was Capp’s way of letting the world know that the vain Fisher had recently had plastic surgery on the ol’ schnozzola. After Sam returns to Olympus, Abner runs afoul of “Happy Vermin, the World’s Smartest Cartoonist,” in a savage satire that set off waves of controversy through whole segments of the newspaper industry, receiving coverage in Walter Winchell’s popular syndicated column and elsewhere. Li’l Abner is one of comics’s bonafide masterpieces, and these anti-Fisher Sunday pages — plus the information on the Feud upon which we focus, information spotlighted nowhere else that we have seen in our research — plus the other fun and fanciful tales from 1949 and 1950 make Li’l Abner Volume 8 a book I most heartily recommend. These anti-Fisher screeds are some of the most arresting, significant, and (on a few levels, at least) fun comics I’ve read in a handful of years.

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6. Call Him Dexter, Though His Name is Corrigan. Mix one of my all-time favorite writers (Dashiell Hammett) with one of my all-time favorite artists (Alex Raymond) and the result is, for a number of reasons, less than the sum of the talents involved. Still, the original Secret Agent X-9 is anything but dogmeat. Their long inaugural tale is filled with bits of business that would have been right at home in Black Mask and the Street & Smith hero pulp magazines. The young Raymond, still deep in his Matt Clark Period, displays bravura flashes, especially in his eye-catching single-panel panoramas. “The Martyn Case” gives X-9 hints of an origin that other creators would borrow, flesh out, and make good use of throughout the ensuing years as they created adventure heroes of their own, everyone from The Avenger to The Punisher. Still, I’m perpetually fascinated by “The Torch Car Case,” from 1935. This represents Hammett’s last work on Secret Agent X-9, and while some scholars have claimed he never contributed to the story at all, I submit this March 13, 1935 strip gives X-9 the sort of sarcastic, wryly-humorous quip that was a Hammett hallmark — and reflects a skill with dialogue that few of King Features’s writers of the day demonstrated (and that Alex Raymond, who would do uncredited scripting on the series until The Saint‘s Leslie Charteris was brought in, was likely not yet capable of). “The Torch Car Case” is a creditable swan song for the superstar Hammett/Raymond team.

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Having reached the halfway point in this unscientific, purely subjective countdown, I’ll wrap up here for now. Please watch this space in coming days for Part II, and five more of my favorite LOAC stories!

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