Tag Archives | Blondie

A Few of My Favorite Things (Part II of II)

Concluding a look at some of my favorite storylines from the LOAC line of books, as it exists as of May, 2016. Let’s forge boldly onward, and remember this entire list is provided in no particular order …

5. Iconic Crossed Swords. Like “awesome” and “friend,” “iconic” is a word sorely abused in our modern language, its true meaning being eroded and dulled by dullards. So I try to use it carefully, and I chose it with care in reference to the last panel of this Flash Gordon Sunday page from August 14, 1938. Throughout the Alex Raymond/Don Moore run there is a reluctance to bring Flash and Ming the Merciless into direct confrontation; in this sequence, with Gordon and his loosely-knit band of Freemen ambushing the Emperor on The Island of Royal Tombs, we get an image of Ming and Flash squaring off, mano-a-mano, that truly lives up to the word “iconic.” It’s not only a perfect encapsulation of the strip, in a larger sense it’s a stirring representation of Good versus Evil. It is perhaps my favorite moment in the entire run of Flash Gordon, and I suspect I’m not alone in that assessment.

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4. Before the Famous Sandwich, There Was … The Dagwood Hunger Strike. For years while growing up, this was one of those plotlines I heard about and read about but never got to see. Bringing it to fans in our first Blondie collection was therefore a real treat for me, and I found that absorbing Chic Young’s full original run on his strip (given a first boost toward its eventual uber-popularity by this very sequence) was a fun — and sometimes eye-opening — experience. This January 25 daily, from deep in the heart of the Hunger Strike, especially tickled me, foreshadowing as it does Dagwood’s famous appetite, though his penchant for combining unlikely ingredients was a future development that readers of this story circa 1933 could never have guessed was on the far horizon.

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3. Punjab to the Rescue! One of the things I’m most proud of where LOAC is concerned is that we have preserved large spans of several deserving strips. On occasion I still pinch myself when I realize we have succeeded in putting thirty years of Dick Tracy continuity back into print, and we’re approaching doing the same for twenty-five years of that most American of The Library of American Comics, Little Orphan Annie. Harold Gray treated us to many memorable sequences starring the kid with a heart of goal and a quick left hook, but one of my favorites is “Assault on the Hacienda.” Captured by the nefarious Axel, Annie is whisked to a remote South American retreat and put under the care of the exotic Dona Dolores. “Daddy” Warbucks mounts a rescue, but eventually is captured and imprisoned deep underground with the two gals. “Daddy’s” men are still on the job and Punjab, their leader, gets good play in this July 16, 1939 Sunday page — he displays his wits, his strength, and even shows off his sensahumor!

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2. A (Sailor) Man of the World. I recently did a long piece in this space extolling the virtues of Bobby London’s Popeye, and of the many wild and wonderful stories London spins, my favorite (by about the width of one of Poopdeck Pappy’s whiskers!) is “Heavy Metal Toar.” What’s not to love in a yarn that features classic rock music superstars, a lost land, a fountain of youth, and the wonkiest biker scenes this side of Easy Rider. In fact, the August, 1989 daily below trips off a plot point that has the squinky-eyed sailor and Olive’s shapely cousin, Sutra Oyl, on a rest stop at a refreshing pond after riding a chopper south across the border. Sutra Oyl decides to do some skinny-dipping and gets a surprise after suggesting Popeye is too intimidated by her state of undress to join her — he wades in, picks her up, tosses her over his shoulder, and, well, see for yourself …

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1. Canyon Gets the Point. It’s easy to list any number of fantastic Terry and the Pirates stories that qualify as must-reads, but let’s not forget that Steve Canyon has its share of delights, too. This 1952 melodrama sees Steve among a small band who survive the crashing of their light plane in the remote woodlands south of Alaska. There they run into a most unscrupulous-seeming French-Canadian nicknamed Bonbon and hear a random radio news broadcast that indicates one of their number is hiding a stolen diamond necklace. It’s a classic melodrama of the genus “band of strangers forced together in stressful circumstances, with one of their number More Than He (or She) Seems,” and it’s expertly told with all the Caniffian touches we Milton-fans enjoy. This tale also introduced audiences to the snappy Miss Mizzou, she of the Marilyn Monroe physique and the naked-except-for-her-trenchcoat wardrobe. Mizzou became a favorite of readers, popping up semi-regularly when Steve might least expect it, and she was grist for the Caniff Steve Canyon Publicity Mill. J.B. Winter’s fine book, Miss Mizzou: A Life Beyond Comics, offers details of Mizzou’s effect on popular culture and the stir she created in the town of Columbia, Missouri. I recommend it as heartily as I recommend this Steve Canyon adventure.

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That’s my list of ten favorite LOAC stories. If you have your own list of ten (or even five) fave-raves, why not share it with us? Zap it to us at info@loacomics.com and who knows? We may do a follow-up in this space that will feature your list …

A Rollicking Roster of Riotous Ramblings

Those lazy, hazy, crazy days of summer? The perfect time to pull a few items out of the Library Of American Comics “Odds & Ends” file:

From the “As Others See Us” Dept: A few weeks ago, a reporter from my local New England arts and entertainment weekly contacted me to do an interview about LOAC and other things comics-related. Liltin’ Lisa Parsons admitted she knew very little about comics, and in addition to discussing about our line of books, here are some of the questions she tossed my way:

Any comments on the “Sunday Funnies” stamps the U.S. Postal Service plans to release in July?(I had forgotten all about them – but I wasn’t telling Lisa that!)

What strip(s) should I plunk down in front of my ten-year-old to hook him on the wonderful world of comics? (“It depends on what he likes,” I began, before recommending Terry and the Pirates,Popeye, and Dick Tracy if he’s the action-adventure sort, Peanuts and Calvin & Hobbes to tickle his funny bone.)

Is it just me, or has there been a surge in the reprinting of old comic strips lately? (I couldn’t resist – I said, “It’s just you!” Of course, then I gave her a more serious answer …)

Since so many of the interviews we do here at LOAC run “inside” the comics community, it was both entertaining and educational to do one for the “mainstream” media. Thanks for thinking of us, Lisa – I’ll give you a shout when Archie Volume 1 goes on sale!

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From the “Boopadoop” Dept:  You’ve likely seen us refer to our upcoming Blondie Volume 1 with the catchphrase “Blondie like you’ve never seen her before!” That’s not an idle boast – by going back to the very beginning of the strip, you’ll be seeing Blondie as a flighty single girl, modeled after real-life “boop-boop-a-doop” girl Helen Kane. You’ll also see Dagwood as the pampered scion of wealth, meet Blondie’s mother and both of Dagwood’s parents, and discover there were plenty of rivals for the affections of our two star-crossed lovers.

If that doesn’t sufficiently whet your reading appetite, I’m pleased to report that Chic Young’s granddaughter has shared with us the family’s collection of Blondie memorabilia from this period, including several items you’ll have to see to believe. Is the term “unprecedented access” an overstatement? I think not! Boisterous Brian Walker is writing a fact-filled text feature to glue the whole package together. Keep your eyes open for Blondie Volume 1 – it just might turn into the sleeper hit of 2010 . . .

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From the “Miami Beach Audiences Are the Greatest Audiences in the World!” Dept: Little Orphan Annie Volume 5 and Dick Tracy Volume 10 are both on sale. Even though we’ve now reprinted the first decade of Annie and the first seventeen years of Tracy, each series continues to remain popular. Given the sales pattern in the pamphlet-based segment of comics often begin a sharp drop after issue # 1 hits the stands, the loyalty of our audience is something we greatly value and never take for granted.

Everyone here at LOAC salutes you rambunctious readers, whether you’re supporting the entire LOAC line, following one of the extended series like Annie or Tracy or our launched-in-2010 Li’l Abner, buying one of our short series (Rip Rirby, Bloom County), or eagerly awaiting coming attractions like Polly and Her Pals and X-9: Secret Agent Corrigan. May you enjoy perusing our offerings as much as we enjoy putting ’em together!

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