Tag Archives | Dick Tracy

Barry One, Pearl Two

A few months ago in this space I showed you some photos of our LOAC books, arrayed on my bookshelves — you can see it here, if you’d like a refresher.

More recently, we received some impressive bookshelf photos from another comics historian, the estimable Barry Pearl. Check out this first of five shots of Mr. Pearl’s amassed comics collections and be prepared, like me, to resist the urge to whistle in appreciation …

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Episode 008 with special guest Jeff Kersten

Dean Mullaney is on vacation so LOAC Associate Editor Bruce Canwell joins Kurtis Findlay for another episode of the Library of American Comics & EuroComics Podcast!

In this episode, Bruce and Kurtis talk about Jerome K. Jerome Bloche, Vol. 2: The Paper People as well as upcoming projects like Amazing Spider-Man, Vol. 5 and Steve Canyon, Vol. 9. Plus, Dick Tracy enthusiast and historian Jeff Kersten discusses the political subtext found between the panels of Dick Tracy and what we can expect in vol. 23 and 24!

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Buongiorno from Bologna!

Here’s LOAC Art Director Lorraine Turner with Francesco Meo of the Italian comics publisher Cosmo Editoriale. We had lunch with Francesco today in Bologna, renewing the friendship we established at Angoulême last year. Newspaper strips fans will be glad to know that Francesco is publishing Italian editions of Terry and the Pirates, Steve Canyon, Dick Tracy, Russ Manning’s Tarzan, Flash Gordon, Rip Kirby, as well as other “A” list strips!

Episode 002 with special guest Lorraine Turner

Dean and Kurtis are back for the second episode of the Library of American Comics & EuroComics Podcast!

In this episode, Dean and Kurtis discuss Li’l Abner, Vol. 9, Dick Tracy, Vol. 24, Superman: The Atomic Age Sundays, Vol. 3 and Star Hawks, Vol. 2! And joining us for this episode is LOAC Art Director Lorraine Turner discussing the process behind choosing titles to publish, the art of restoration and design. Plus, a special announcement about a new EuroComics title coming soon!

Episode 001 with special guest Bruce Canwell

Welcome to the very first episode of the Library of American Comics & EuroComics Podcast, hosted by Dean Mullaney and Kurtis Findlay!

In this episode, Dean and Kurtis discuss Disney’s Christmas Classics, Silly Symphonies Vol. 3, and The Man from the Great North. Plus, get to know LOAC Associate Editor Bruce Canwell!

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A Bicentennial Look Back

During a cold, snowy first week of 2017 here in New England, two things occurred to me: [1] we’re overdue for a Fantasy Comics Page in this space, and [2] 2017 marks the 241st anniversary of the acknowledged founding of the United States of America. We’re fewer than ten years away from the USA’s 250th birthday, the Sestercentennial! (Or Semiquincentennial, if you’re cut from Johnny Littlejohn/Hank McCoy polysyllabic cloth — the jury’s out on what the celebration will officially be called.)

When that pair of thoughts collided, I went back into the strips, looking to build a Fantasy Page from the first day of our Bicentennial Year, January 1, 1976. What I put together tickled me, and I hope you’ll enjoy it, too. It features a mix of comedy and adventure strips, popular long-running comics and more obscure fare. We begin with two of my all-time favorite series: Al Capp brings Baby New Year back to Li’l Abner (no one knew it at the time, but the strip had less than two years’ of life remaining), while Tom Ryan ignores the new year entirely in his always-wonderful Tumbleweeds.

Gus Arriola’s work always gives me a smile, so including Gordo on this Fantasy Page is a distinct pleasure — and one might think Flash Gordon could use New Year’s Day as an excuse to take a break from tromping around dungeons and fighting monsters, but this lovely example of Flash’s strip by Dan Barry proves that’s not the case. And who among us has not faced the “good diet resolution” dilemma Tom Batiuk presents in Funky Winkerbean? (Though I hope most of us last longer than this before breaking our resolutions!)

Lolly was a new strip to me, and I enjoy such finds, as well as going back to learn a bit about them. In this case, Lolly was the brainchild of former Disney Studios animator Pete Hansen and ran from 1955 to 1983. Lolly herself is a nicely-designed character, and the balance between her home and work life (she was an office employee, supervised by “Mr. Quimby”) gives her the same sort of plot grist that would make the Mary Tyler Moore Show such a hit throughout most of the ’70s (though Lolly, while appealing, is no Mar’!)

Junior Tracy’s Bicentennial New Year begins earlier than he’d like — note who’s sleeping next to him! You can read the first appearances of the Moon Maid in our just-released Dick Tracy Volume 21. Irwin Hasen was one of the treasures of the comics world, even when newspaper editors mistakenly identified him as “Irwin Hansen;” here’s how his Dondi started off 1976. Snoopy and Woodstock were partying hard in Peanuts, and appropriately, our Fantasy Page ends with a strip created specifically with the Bicentennial in mind, Yankee Doodles. This was also an unknown strip to me when I stumbled across it, but thanks to historian extraordinaire Allan Holtz and his invaluable “Stripper’s Guide” website, I learned this was a feature that lasted only fifty months, and was the product of three creators: Ben Templeton (later of Motley’s Crew fame), Fred W. Martin, and Don Kracke — think of the hilarity that could have ensued if the credits had said, “by Kracke!”

Who knows what sort of comics will arise to take advantage of the Sestercentennial? (Or the Semiquincentennial, should we opt for the longer name …)

Anyway, here’s our look back at January 1, 1976 —

1_abner

2_tumbleweeds

3_gordo

4_flash

5_funky

6_lolly

7_tracy

8_dondi

9_peanuts

10_yankee-d

Movietone News (The CTNYN Edition)

Hollywood has been on my mind a lot the past few weeks.

It started while assembling the week’s worth of puzzles that ran in this space a short time ago; each installment contained one Hollywood connection, and it was great fun sifting through images of wonderful old stars such as Eve Arden and Spencer Tracy.

Over the past couple days days there has been some discussion amongst my oldest friends regarding the new Doctor Strange motion picture from Marvel Studios. When you grew up reading Marvel Comics as we did, and when you dealt with the sneering of the adult population (I remember one bookstore clerk racking up the sale for a fresh stack of comics I was buying and snidely asking, “Are you going to read them all tonight?”), regardless what you think of the finished movie product it’s more than slightly amazing that John & Jane Q. Public now know who Stephen Strange is (and Tony Stark, and Steve Rogers, and Peter Parker, and …). Even more amazing to realize how many members of that public-at-large are shelling out hard-earned coin to see their big-screen adventures.

In the course of that discussion, it hit me that that while audiences watching theatrical versions of Marvel Comics characters is a relatively new phenomenon, the practice of audiences filling movie palaces to see cartoon characters move and talk and generally come to life is anything but new — and yes, it was the comic strips that got there first. That led me to put together this two-part look back at Those Thrilling Days of Yesteryear, focusing this time on the “crown jewels” of the Chicago Tribune New York News Syndicate.

Milton Caniff’s 1934-1946 run on Terry and the Pirates remains as feisty and entertaining today as it was when it was appearing in daily newspapers across the country. The Columbia Pictures serial version of Terry is less successful than its source material, but back in 1940 comics were considered cheap, throwaway entertainment and chapterplays were simply warm-ups for the featured film, so there were less-discerning filters being applied in those days. Certainly many of the kids attending the Saturday matinee were probably content to see Terry, Pat, Normandie, Connie, and Big Stoop walking, talking, and come to life before their eyes.

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Title card for the Columbia TERRY AND THE PIRATES serial

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“Look, Freddy, look! It’s Big Stoop!” Well, kinda-sorta — in the world of the film TERRY, Big Stoop can talk!

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Spirited conversation between Terry (William Tracy) and Pat (Granville Owen). At age twenty-three, Tracy was definitely “playing young” as teenaged Terry! Owen,. meanwhile, had the distinction of playing both Pat Ryan and Abner Yokum in the same year, since 1940 also saw the release of RKO’s LI’L ABNER movie.

 

As discussed in Volume 5 of our Little Orphan Annie series, 1932 brought RKO’s version of America’s Spunkiest Kid into the cinemas. It fared little better with critics than would Terry, despite featuring one of the premier child stars of the day, Mitzi Green.

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Mitzi Green strokes a pose as Annie. She had previously played Becky Thatcher in Paramount’s adaptations of TOM SAWYER and HUCKLEBERRY FINN.

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Title card to the 1932 LITTLE ORPHAN ANNIE. The film was co-written by Tom McNamara, the cartoonist-creator of US BOYS, who went on to a second career as a Hollywood writer and director.

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This title card for the ANNIE motion picture features Harold Gray artwork. Go, Sandy, go!

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What is more charming than a child and a dog? In the 1932 production of LITTLE ORPHAN ANNIE, Sandy has been cast as a German Shepard rather than a mutt — the popularity of Rin Tin Tin may have had something to do with that decision …

 

Arguably the best and certainly the the longest-lived of the celluloid versions of the CTNYN “Big Three” is Dick Tracy. America’s Top Manhunter first hit the movie screen in 1937 as a fifteen-chapter Republic Pictures serial, the first in a series of five from that studio.

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Ralph Byrd certainly looks the part of Tracy, assaying the role in all of Republic’s serials, two of the four RKO movies, and a 1950-51 television series.

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Lobby card for the final Republic TRACY serial.

 

RKO followed Republic in 1945 with a series of four Dick Tracy full-length films. Morgan Conway played Tracy in the first two before Ralph Byrd resumed the part for Dick Tracy’s Dilemma and Dick Tracy Meets Gruesome. In this still with June Clayworth from the latter production (1947), it’s clear Byrd still looks great as Tess Trueheart’s one-and-only.

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In case you’re wondering, the “IML” on Miss Clayworth’s jacket are the initials of her character’s name: Irma M. Learned. Yes, she’s Dr. I.M. Learned …

CTNYN wasn’t the only major comic strip syndicator to have its characters entertain movie-goers. We’ll be back soon with a look at a trio of strips from the King Features stable that lived parallel lives in the flicker-pictures.

 

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