Here’s LOAC Art Director Lorraine Turner with Francesco Meo of the Italian comics publisher Cosmo Editoriale. We had lunch with Francesco today in Bologna, renewing the friendship we established at Angoulême last year. Newspaper strips fans will be glad to know that Francesco is publishing Italian editions of Terry and the Pirates, Steve Canyon, Dick Tracy, Russ Manning’s Tarzan, Flash Gordon, Rip Kirby, as well as other “A” list strips!
Tag Archives | Flash Gordon
During a cold, snowy first week of 2017 here in New England, two things occurred to me:  we’re overdue for a Fantasy Comics Page in this space, and  2017 marks the 241st anniversary of the acknowledged founding of the United States of America. We’re fewer than ten years away from the USA’s 250th birthday, the Sestercentennial! (Or Semiquincentennial, if you’re cut from Johnny Littlejohn/Hank McCoy polysyllabic cloth — the jury’s out on what the celebration will officially be called.)
When that pair of thoughts collided, I went back into the strips, looking to build a Fantasy Page from the first day of our Bicentennial Year, January 1, 1976. What I put together tickled me, and I hope you’ll enjoy it, too. It features a mix of comedy and adventure strips, popular long-running comics and more obscure fare. We begin with two of my all-time favorite series: Al Capp brings Baby New Year back to Li’l Abner (no one knew it at the time, but the strip had less than two years’ of life remaining), while Tom Ryan ignores the new year entirely in his always-wonderful Tumbleweeds.
Gus Arriola’s work always gives me a smile, so including Gordo on this Fantasy Page is a distinct pleasure — and one might think Flash Gordon could use New Year’s Day as an excuse to take a break from tromping around dungeons and fighting monsters, but this lovely example of Flash’s strip by Dan Barry proves that’s not the case. And who among us has not faced the “good diet resolution” dilemma Tom Batiuk presents in Funky Winkerbean? (Though I hope most of us last longer than this before breaking our resolutions!)
Lolly was a new strip to me, and I enjoy such finds, as well as going back to learn a bit about them. In this case, Lolly was the brainchild of former Disney Studios animator Pete Hansen and ran from 1955 to 1983. Lolly herself is a nicely-designed character, and the balance between her home and work life (she was an office employee, supervised by “Mr. Quimby”) gives her the same sort of plot grist that would make the Mary Tyler Moore Show such a hit throughout most of the ’70s (though Lolly, while appealing, is no Mar’!)
Junior Tracy’s Bicentennial New Year begins earlier than he’d like — note who’s sleeping next to him! You can read the first appearances of the Moon Maid in our just-released Dick Tracy Volume 21. Irwin Hasen was one of the treasures of the comics world, even when newspaper editors mistakenly identified him as “Irwin Hansen;” here’s how his Dondi started off 1976. Snoopy and Woodstock were partying hard in Peanuts, and appropriately, our Fantasy Page ends with a strip created specifically with the Bicentennial in mind, Yankee Doodles. This was also an unknown strip to me when I stumbled across it, but thanks to historian extraordinaire Allan Holtz and his invaluable “Stripper’s Guide” website, I learned this was a feature that lasted only fifty months, and was the product of three creators: Ben Templeton (later of Motley’s Crew fame), Fred W. Martin, and Don Kracke — think of the hilarity that could have ensued if the credits had said, “by Kracke!”
Who knows what sort of comics will arise to take advantage of the Sestercentennial? (Or the Semiquincentennial, should we opt for the longer name …)
Anyway, here’s our look back at January 1, 1976 —
Concluding a look at some of my favorite storylines from the LOAC line of books, as it exists as of May, 2016. Let’s forge boldly onward, and remember this entire list is provided in no particular order …
5. Iconic Crossed Swords. Like “awesome” and “friend,” “iconic” is a word sorely abused in our modern language, its true meaning being eroded and dulled by dullards. So I try to use it carefully, and I chose it with care in reference to the last panel of this Flash Gordon Sunday page from August 14, 1938. Throughout the Alex Raymond/Don Moore run there is a reluctance to bring Flash and Ming the Merciless into direct confrontation; in this sequence, with Gordon and his loosely-knit band of Freemen ambushing the Emperor on The Island of Royal Tombs, we get an image of Ming and Flash squaring off, mano-a-mano, that truly lives up to the word “iconic.” It’s not only a perfect encapsulation of the strip, in a larger sense it’s a stirring representation of Good versus Evil. It is perhaps my favorite moment in the entire run of Flash Gordon, and I suspect I’m not alone in that assessment.
4. Before the Famous Sandwich, There Was … The Dagwood Hunger Strike. For years while growing up, this was one of those plotlines I heard about and read about but never got to see. Bringing it to fans in our first Blondie collection was therefore a real treat for me, and I found that absorbing Chic Young’s full original run on his strip (given a first boost toward its eventual uber-popularity by this very sequence) was a fun — and sometimes eye-opening — experience. This January 25 daily, from deep in the heart of the Hunger Strike, especially tickled me, foreshadowing as it does Dagwood’s famous appetite, though his penchant for combining unlikely ingredients was a future development that readers of this story circa 1933 could never have guessed was on the far horizon.
3. Punjab to the Rescue! One of the things I’m most proud of where LOAC is concerned is that we have preserved large spans of several deserving strips. On occasion I still pinch myself when I realize we have succeeded in putting thirty years of Dick Tracy continuity back into print, and we’re approaching doing the same for twenty-five years of that most American of The Library of American Comics, Little Orphan Annie. Harold Gray treated us to many memorable sequences starring the kid with a heart of goal and a quick left hook, but one of my favorites is “Assault on the Hacienda.” Captured by the nefarious Axel, Annie is whisked to a remote South American retreat and put under the care of the exotic Dona Dolores. “Daddy” Warbucks mounts a rescue, but eventually is captured and imprisoned deep underground with the two gals. “Daddy’s” men are still on the job and Punjab, their leader, gets good play in this July 16, 1939 Sunday page — he displays his wits, his strength, and even shows off his sensahumor!
2. A (Sailor) Man of the World. I recently did a long piece in this space extolling the virtues of Bobby London’s Popeye, and of the many wild and wonderful stories London spins, my favorite (by about the width of one of Poopdeck Pappy’s whiskers!) is “Heavy Metal Toar.” What’s not to love in a yarn that features classic rock music superstars, a lost land, a fountain of youth, and the wonkiest biker scenes this side of Easy Rider. In fact, the August, 1989 daily below trips off a plot point that has the squinky-eyed sailor and Olive’s shapely cousin, Sutra Oyl, on a rest stop at a refreshing pond after riding a chopper south across the border. Sutra Oyl decides to do some skinny-dipping and gets a surprise after suggesting Popeye is too intimidated by her state of undress to join her — he wades in, picks her up, tosses her over his shoulder, and, well, see for yourself …
1. Canyon Gets the Point. It’s easy to list any number of fantastic Terry and the Pirates stories that qualify as must-reads, but let’s not forget that Steve Canyon has its share of delights, too. This 1952 melodrama sees Steve among a small band who survive the crashing of their light plane in the remote woodlands south of Alaska. There they run into a most unscrupulous-seeming French-Canadian nicknamed Bonbon and hear a random radio news broadcast that indicates one of their number is hiding a stolen diamond necklace. It’s a classic melodrama of the genus “band of strangers forced together in stressful circumstances, with one of their number More Than He (or She) Seems,” and it’s expertly told with all the Caniffian touches we Milton-fans enjoy. This tale also introduced audiences to the snappy Miss Mizzou, she of the Marilyn Monroe physique and the naked-except-for-her-trenchcoat wardrobe. Mizzou became a favorite of readers, popping up semi-regularly when Steve might least expect it, and she was grist for the Caniff Steve Canyon Publicity Mill. J.B. Winter’s fine book, Miss Mizzou: A Life Beyond Comics, offers details of Mizzou’s effect on popular culture and the stir she created in the town of Columbia, Missouri. I recommend it as heartily as I recommend this Steve Canyon adventure.
That’s my list of ten favorite LOAC stories. If you have your own list of ten (or even five) fave-raves, why not share it with us? Zap it to us at firstname.lastname@example.org and who knows? We may do a follow-up in this space that will feature your list …