Here’s LOAC Art Director Lorraine Turner with Francesco Meo of the Italian comics publisher Cosmo Editoriale. We had lunch with Francesco today in Bologna, renewing the friendship we established at Angoulême last year. Newspaper strips fans will be glad to know that Francesco is publishing Italian editions of Terry and the Pirates, Steve Canyon, Dick Tracy, Russ Manning’s Tarzan, Flash Gordon, Rip Kirby, as well as other “A” list strips!
Tag Archives | Steve Canyon
One of the key points I raised in my text feature for Steve Canyon Volume 8 was that Milton Caniff’s picaresque adventure strip was still a hot property as the Sixties began to unfold. The perceived “Communist threat” was a very real part of life during that period, and the nuclear specter hung heavily over citizens of many countries (having spent my single-digit childhood years in the ’60s, I clearly remember the bi-level department store in my hometown, with both ground-level and basement shopping, and how the stairwells leading down to the basement prominently displayed “Fallout Shelter” decals). We too often try to examine the works of the past from a modern-day sensibility, ignoring a simple but accurate truth: It Was a Different World Back Then. (And our society couldn’t have arrived where it is today without our grandparents, parents, and some of us living through the way it was then … but that’s a thought for another day and another forum).
While doing some advance work for Canyon Volume 9 — which will feature more never-before-reprinted stories, this time from the years 1963-64 — the power of the feature to serve as a “draw” was once again brought home to me as I saw the plethora of advertisements and promotions for the series that ran in various client newspapers. Here’s a small cross-section of them, sure to whet the appetite of any Caniffite:
Dean Mullaney and Kurtis Findlay are back with another episode of the Library of American Comics & EuroComics Podcast!
In this episode, Dean and Kurtis discuss Steve Canyon Vol. 8, Star Wars Vol. 2 and Corto Maltese: Golden House of Samarkand. Plus, learn about Edwina Dumm, “Cap” Stubbs and Tippie, with Billy Ireland Cartoon Library and Museum Associate Curator Caitlin McGurk!
Here’s hoping this still-New-Year is off to a fine start for our readers and all the visitors to this space! It’s been a mighty frosty start to 2018 here in New England (as it was in many parts of the country), where we tied the meteorological record for twelve consecutive days where the high temperature never topped twenty degrees. It’s been so cold in the greater Boston area that my intrepid dog, Gypsy, has consented to wearing the sweater my wife bought for her on December 29th (something I never thought she would do) —
Despite the wintry chill in my area, I’m working on a variety of LOAC projects that promise to make 2018 a hot year indeed! Let me offer you a tiny peek at what you’ll be seeing under our logo in the weeks and months ahead.
So I’m busily working away on the text feature for Steve Canyon Volume 8 (a juicy assemblage of material that includes Milton Caniff turning real-life incidents into story fodder!) and I get this e-mail from my dear, long-time friend Doug Thornsjo. If you read the Definitive Flash Gordon and Jungle Jim you got a taste of Doug’s writing (and his voluminous knowledge of movie serials) in Volume 2, in which he produced an article about Buster Crabbe’s three chapterplay turns as Flash.
Doug knew that in Canyon we had provided some coverage of the Ideal toy line based on Milton Caniff’s high-flying colonel, items like the Jet Helmet …
Concluding a look at some of my favorite storylines from the LOAC line of books, as it exists as of May, 2016. Let’s forge boldly onward, and remember this entire list is provided in no particular order …
5. Iconic Crossed Swords. Like “awesome” and “friend,” “iconic” is a word sorely abused in our modern language, its true meaning being eroded and dulled by dullards. So I try to use it carefully, and I chose it with care in reference to the last panel of this Flash Gordon Sunday page from August 14, 1938. Throughout the Alex Raymond/Don Moore run there is a reluctance to bring Flash and Ming the Merciless into direct confrontation; in this sequence, with Gordon and his loosely-knit band of Freemen ambushing the Emperor on The Island of Royal Tombs, we get an image of Ming and Flash squaring off, mano-a-mano, that truly lives up to the word “iconic.” It’s not only a perfect encapsulation of the strip, in a larger sense it’s a stirring representation of Good versus Evil. It is perhaps my favorite moment in the entire run of Flash Gordon, and I suspect I’m not alone in that assessment.
4. Before the Famous Sandwich, There Was … The Dagwood Hunger Strike. For years while growing up, this was one of those plotlines I heard about and read about but never got to see. Bringing it to fans in our first Blondie collection was therefore a real treat for me, and I found that absorbing Chic Young’s full original run on his strip (given a first boost toward its eventual uber-popularity by this very sequence) was a fun — and sometimes eye-opening — experience. This January 25 daily, from deep in the heart of the Hunger Strike, especially tickled me, foreshadowing as it does Dagwood’s famous appetite, though his penchant for combining unlikely ingredients was a future development that readers of this story circa 1933 could never have guessed was on the far horizon.
3. Punjab to the Rescue! One of the things I’m most proud of where LOAC is concerned is that we have preserved large spans of several deserving strips. On occasion I still pinch myself when I realize we have succeeded in putting thirty years of Dick Tracy continuity back into print, and we’re approaching doing the same for twenty-five years of that most American of The Library of American Comics, Little Orphan Annie. Harold Gray treated us to many memorable sequences starring the kid with a heart of goal and a quick left hook, but one of my favorites is “Assault on the Hacienda.” Captured by the nefarious Axel, Annie is whisked to a remote South American retreat and put under the care of the exotic Dona Dolores. “Daddy” Warbucks mounts a rescue, but eventually is captured and imprisoned deep underground with the two gals. “Daddy’s” men are still on the job and Punjab, their leader, gets good play in this July 16, 1939 Sunday page — he displays his wits, his strength, and even shows off his sensahumor!
2. A (Sailor) Man of the World. I recently did a long piece in this space extolling the virtues of Bobby London’s Popeye, and of the many wild and wonderful stories London spins, my favorite (by about the width of one of Poopdeck Pappy’s whiskers!) is “Heavy Metal Toar.” What’s not to love in a yarn that features classic rock music superstars, a lost land, a fountain of youth, and the wonkiest biker scenes this side of Easy Rider. In fact, the August, 1989 daily below trips off a plot point that has the squinky-eyed sailor and Olive’s shapely cousin, Sutra Oyl, on a rest stop at a refreshing pond after riding a chopper south across the border. Sutra Oyl decides to do some skinny-dipping and gets a surprise after suggesting Popeye is too intimidated by her state of undress to join her — he wades in, picks her up, tosses her over his shoulder, and, well, see for yourself …
1. Canyon Gets the Point. It’s easy to list any number of fantastic Terry and the Pirates stories that qualify as must-reads, but let’s not forget that Steve Canyon has its share of delights, too. This 1952 melodrama sees Steve among a small band who survive the crashing of their light plane in the remote woodlands south of Alaska. There they run into a most unscrupulous-seeming French-Canadian nicknamed Bonbon and hear a random radio news broadcast that indicates one of their number is hiding a stolen diamond necklace. It’s a classic melodrama of the genus “band of strangers forced together in stressful circumstances, with one of their number More Than He (or She) Seems,” and it’s expertly told with all the Caniffian touches we Milton-fans enjoy. This tale also introduced audiences to the snappy Miss Mizzou, she of the Marilyn Monroe physique and the naked-except-for-her-trenchcoat wardrobe. Mizzou became a favorite of readers, popping up semi-regularly when Steve might least expect it, and she was grist for the Caniff Steve Canyon Publicity Mill. J.B. Winter’s fine book, Miss Mizzou: A Life Beyond Comics, offers details of Mizzou’s effect on popular culture and the stir she created in the town of Columbia, Missouri. I recommend it as heartily as I recommend this Steve Canyon adventure.
That’s my list of ten favorite LOAC stories. If you have your own list of ten (or even five) fave-raves, why not share it with us? Zap it to us at email@example.com and who knows? We may do a follow-up in this space that will feature your list …